Wednesday, June 15, 2016

Come On Congress: Do The Right Thing!

from my art journal, 6.15.16 (acrylic paint, gouache paint, digital manipulation of text type copied from Mother Jones)

Is it possible for our Congressional representatives to do the right thing and ensure our safety?  Come on Congress turn your back on the NRA and do the right thing--the job we elected you to do.  So proud of Senator Cory Booker from NJ, Senator Chris Murphy from Connecticut, Senator Richard Blumenthal of Connecticut, Senator Chuck Schumer of New York, and Senator Joe Manchin of West Virginia and other Democratic senators who are bringing the gun debate to the senate floor.

We can help.  We can use the power of the vote.  Friends, it is imperative to vote out our Congressional representatives who fail to stand up for us, but rather are in bed with the NRA. Shame on them.

For me that means working hard to ensure that Representative Scott Garrett from the 5th Congressional District is not re-elected. He has an A-rating (93%) from the NRA. An A rating.   Instead I will be voting for Josh Gottheimer in November.   We cannot wait for Congress to do what is the right and rational thing to do.

We can do this.  Check out your representatives' NRA Rating.  You want to see an F rating.  Here's a link. Just scroll to find your state.





Tuesday, June 14, 2016

#SOL16: Tell Them We Ate Love

from my art journal 6.14.16 We Ate Love (gesso, acrylic, collage papers, archival ink, pan pastel)



This morning I had to turn off the radio.  I had to.  I also skipped the Facebook posts that focused on the dead in Orlando--that identified those beautiful dead boys and girls, men and women.  Some just 19 years old.  Some just 20 years old.  Just a few years older than my own son.  Having lost Rob recently, my ears are tuned to hear and record the shocked-voice of the family members who were interviewed on NPR.  Months from now someone will tell them what they said for they will have no memory of it.

None.

Shock insulates and that is perhaps a small mercy.

Instead, this afternoon I painted in my art journal. I thought about those who survived--about their luck, their courage, their will.  I wanted to celebrate those who live.  I kept thinking about a few lines from a poem by Shokry Eldaly, "A History That Has Not Yet Come to Pass."  The opening lines resonated and allowed me to make a small tribute to the survivors.






#SOL16: After Rob

Below is a poem that captures an early morning after Rob died. I  wrote it and paired it with two pages from my art journal. It has been a long time since I actually wrote poetry and it was a bit scary to face the page. A special thanks to Carol Varsalona for the occasion to write poetry and the encouragement to do so.

from my art journal, 6.8.16  (acrylic paint, ink, gesso)

Sunday, June 12, 2016

#SOL16: Restless

Two pages from my art journal, 6.9.16: She Had a Lot On Her Mind 
(acrylic paint, gouache paints, archival ink, pencil, gesso)


I.

There's a restlessness that comes with grief. Suddenly I become aware that my foot is tapping, or I'm walking about the house without intention. Grief is unspent energy. Some days I find it hard to concentrate and to attend to matters. Concentration happens best when I am working with children or teachers, walking/hiking, working in my art journal, or cooking. Intensity matters.  In a letter to his niece, Henriette Lund in 1847, Søren Kierkegaard advised,

Above all, do not lose your desire to walk. Every day I walk myself into a state of well-being, and walk away from every illness. I have walked myself into my best thoughts, and I know of no thought so burdensome that one cannot walk away from it (p. 412).
Since Rob died I have walked each day.  This past week I got caught a mile or so from my car in a rain storm. I had forgotten how private it is to walk in rain. At first loneliness permeated my days. Now I find loneliness is yielding.  In Perseverance,  Margaret Wheatley writes how loneliness can transform into a willingness to be alone.  Two separate feelings. She explains,

Loneliness eventually transforms into a willingness to be alone, even a desire for the space and peace available when nobody else is there. But to get to this lovely place, we first have to let loneliness be there, wait for it to pass through, and then notice that it’s gone, that we quite like the space we’re in. 
It reminds me so much of Kathleen Norris's advice in Dakota: A Spiritual Geography about letting a place happen to you. Walking anchors me to the earth and soothes the loneliness by allowing me each day to commune with nature at the moment.

II.

It was just an old, oversized atlas that I found on a bookshelf at home when I was packing up a collection of books for teachers at a school. The atlas was Rob's and now it has become one of my art journals. I find working in multiple journals at the same time to be more productive. I can prep a two-page spread in one book and as those pages dry, I can work in a different journal.

I enjoy working on paper that Rob had handled. I notice how the maps and print bleed through the thin layer of gesso I apply and this often adds to the design and the ideas that emerge as I work.  I almost never know what I will be creating and the blank page is sometimes difficult.  Now and then I just go ahead and mark a few pages and this allows me to begin to see a potential narrative I night want to follow.

The journal is a place for self expressions and discovery. After Rob died, I needed to work with my hands.  The painting and collage making provide a means to ease the restlessness while focusing my attention. I often get lost in art making for hours.

My art journal is place for experimentation--a place where I can try out new techniques I am learning, invent methods, make lots and lots of errors, cover up mistakes (thank goodness for gesso) and start over again.  The work I am making is amateurish and there's a frustration to that and yet, there is also an odd satisfaction. The art journal also is a place where I work out things I may be feeling, but not naming.  It is sort of like my life after Rob. In many ways these last few months have been largely about practice, about acting as if.

At first, the weeks following Rob's death found me partially paralyzed with fear.  I seemed unable to make even the simplest of decisions.  In the time that has past though I am feeling braver, more willing to cultivate new interests.  I wonder if in seeing Rob die it hasn't liberated me from fearing my own death.  Rather than guard against death, I know that at some point I will die.  In some ways this liberates me to live more fully.





Work Cited
Kierkegaard, S. (1978). Søren Kierkegaard's Journals and Papers: Autobiographical, 1829-1848. Howard V. Tong and Edna H. Hong, Translators. Indiana University Press.


Saturday, June 11, 2016

#SOL16: Poetry, Rob and Love

Two-pages from my art journal: 6.10.16 (gesso, acrylic and gouache paints, ink, pencil, collage papers)


I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.
      - William Butler Yeats, The Lake Isle of Innisfree 


I.

The first date Rob and I went on was to a poetry festival in northern New Jersey. It was 1988. We met in graduate school--both of us were English majors. I cannot recall which poets we heard that day, but do recall thinking that I had surely met the most fascinating man I would ever know. That day, in between the verses, Rob spoke to me about Joyce and Einstein, Stravinsky and Yeats, Heisenberg and Gödel, Creeley and Olsen. Years later we would name our dog, Maximus, after Olsen's three-volume masterwork.  The first time I returned to Ireland so many years after I left that orphanage in Dublin, Rob drove us to Lough Gill in County Sligo so that we could row out to Innisfree and hear the bee-loud glade.

Literature was a backdrop to the lives we made, the love we grew.  After Rob and I decided to marry I told him had we had an actual ceremony that required invitations, we could have simply sent out, "yes I said yes I will Yes" à la Molly Bloom. But I am getting ahead of myself, ahead of this narrative that is taking shape.

On that blustery fall day in 1988, it felt unseasonably cool even though there was bright sunshine or at least that's how I remember it.

II.

Memory is fairly faulty, unreliable and I so wonder how it is I will remember Rob in years to come. What is it that will remain as time moves along? What will I recall? Savor? Desire? In The Other Side of Sadness: What the New Science of Bereavement Tells Us About Life After Loss, George Bonanno explains,
Memories of people and places are not objects in our heads. They are clusters of snakelike neurons, arranged in branching pathways throughout the brain. The strength of a memory has to do with the connections of the neurons, their links to other ideas and other memories. The more elaborated the memory, the easier it is to find its neural address (p. 17).
Rob is surely a gorgeous snake living in my mind, as our lives were so entwined. Bonanno explains that calling forth positive memories can be a source of comfort and healing for the bereaved. Living in the home Rob, Devon and I made for the last 14 years, every square foot is a reminder of my husband. His eye glasses remain on his desk. His Walter Benjamin books--the last books he was reading--are stacked now on a shelf in the living room. The comforter he wrapped himself in, sits next to me. I am sitting in a reclining chair as I write this--the same one Rob sat and slept in after he was diagnosed with cancer and could no longer climb the stairs to our bedroom. We did not know then that he would never again see the upstairs of our home after mid October. Washing Rob's hair one Friday morning was the last thing we ever did up upstairs together.  And today I am so grateful that it was with such care and tenderness that I washed his hair--as if some part of me knew.

Later that day we would go to see a neurosurgeon who would tell us that Rob did not need spinal surgery at that time. Three months later, his partner would operate on Rob and a month later my husband would come home to die.

III.

I have been sorting through books. For some reason it feels important to gather all the poetry books in our house and put them together--a feat we attempted but never quite got done.  And this handling of poetry has me remembering. It's a late winter's day--the last year I will teach high school and Rob came to read to my students.  He showed up with his knapsack over a shoulder opened, hair tied back, and a fistful of loose papers--poems he had brought to read. He stood there wearing a leather jacket, a striped shirt he had left untucked, a pair of dark brown corduroy jeans that hugged his ass just so, and a worn pair of work boots and of course, his glasses that made him look a lot like John Lennon. By then we were so in love, so in lust and I recall how beginnings are always so much fun.

After I introduced him to my senior students he promptly climbed on top of a desk and began reciting some poem in the voice of the upper-crust English. About 30 seconds in he abruptly stopped, looked down at the students and told them that poetry need not be so lofty, so foreign. And with that he got off the desk and sat alongside the students and read some of his poems, gesturing with his hands as he read.  He read about getting clean and sober. He read about the way faith feels on the streets of the lower West Side. He invited students to read and before long a poetry slam was in the making.

Later that day, as we drove to my home, he would ask me what it was like to be a teacher.
"You always seem to really, really like what you do," he said to me. Rob seemed to marvel at this as if for him enjoyment and work did not occupied similar or adjacent spaces.
"Well, of course I do."
When Rob turned 40 he sold the three-generation family business in Hell's Kitchen and we tightened the proverbial belt as he became a teacher. For 20 years he taught: college students, middle and high school students, and teachers. No matter where we would travel, or what restaurant we might be eating in--some student he taught or a parent of a former student would greet him and quickly explain to Devon and me what an amazing teacher Rob had been.

I know.


IV.

On that fall day as we sat alongside one another, listening to poet after poet, I felt we were fated and it scared me.  I had never known an attraction so electric, so present-moment. By that next fall we would live together and a year later we would marry and then become parents to Devon. Throughout all of this that love that felt so palpable that fall day become more complicated as it deepened.

Loving Rob was like hearing a much-loved poem. Each time, regardless of the number of times, the poem still takes you by surprise. You marvel at its
             quick beauty and fiery depth. You marvel
at what you most needed
               and did not know.

Rob lives in my deep heart's core.


Thinking of Muhammad Ali

I listened yesterday to the memorial/celebration of life service for Muhammad Ali.  It was so very moving, especially the presentations by diverse faith leaders. If you did not have an opportunity to hear it, here's a link.


Below is an entry I made today in my art journal.

Two-page spread in art journal, 6.11.16: "Ali in Brooklyn"
(gesso, stabilio pencil, acrylic, watercolor, newspaper, photo transfer)







Thursday, June 9, 2016

#SOL16: Fire

Rob in the Redwood Forest (Devon took picture)
 I.

Last Saturday night my dreams were filled with flames and soot, crackling timber and unbearable heat.  I dreamed about a wild fire burning out of control in what I think might have been the Redwood Forest in California. I kept trying to get to Rob who was caught in the forest too and each time I thought I would surely fail to reach him, the scene would reset.

I thought the dream was my attempt to save my husband.  Now I suspect I was saving myself.



II.

Years ago, Rob, Devon and I spent a late December day in the Redwood Forest. None of us had been there before. It was few days after Christmas and Devon must have received a camera and throughout the rather cold and somewhat rainy day, Rob continued to show Devon how to use the camera.  He did this with not only patience, but an odd joy. And we posed
ever so often for Dev to snap a picture. It was such an ordinary day. It had been our 17th wedding anniversary.


III.

All day long, the scent of fire stayed with me, an odd companion at that.