Showing posts with label schools. Show all posts
Showing posts with label schools. Show all posts

Wednesday, August 26, 2015

Technologies, Schooling, and Relevance

from Occupy Wall Street (Reilly, 2011)
I.

From the NY Times today:

“Every time I go to a new country, I buy a SIM card and activate the Internet and download the map to locate myself,” Osama Aljasem, a 32-year-old music teacher from Deir al-Zour, Syria, explained as he sat on a broken park bench in Belgrade, staring at his smartphone and plotting his next move into northern Europe.
“I would never have been able to arrive at my destination without my smartphone,” he added. “I get stressed out when the battery even starts to get low.”


Aljasem is one of the tens of thousands of migrants entering the Balkans, seeking a different way of life. According to the NY Times, WhatsApp, a cross platform messaging app is said to be an essential tool of migrants from Africa, the Middle East, Afghanistan and Pakistan.

II.

My son told us yesterday that he and his gaming team are now ranked first in the United States and third internationally after the last round of competitions. His five member team hails from the United States and Canada. He'd like to attain the semi-pro level in the game in the next year or so as he is now ranked just below semi-pro. His team members range from 16 to 19 years old. This year's international pro competition paid close to a million dollars to the winners and each year sees that winning pot increase sharply as do the numbers of those watching and attending the competition in Europe where E-sports are a rage.


III.

Later today, my husband will undergo video-assisted thoracoscopic surgery (VATS).  A tiny camera (thoracoscope) and surgical instruments will be inserted into his chest, between ribs, through several small incisions. The thoracoscope will transmits images of the inside of his chest onto a video monitor, guiding the surgeon. The surgeon is not a young man. He is not a 'digital native' by any stretch--given his 40 years of experience. Fortunately, for us, his digital status has little bearing on his skill or his commitment to learn what must be learned in order to practice his work. He'll text me when he's out of surgery so we can speak.


IV.

In the next few weeks or so, most students here will have returned to a U.S. school where technologies will be doled out like prized pigs and/or kept concealed at the bottom of school bags by kids depending on each school district's definition of acceptable use. Technologies, like smart phones, will continue to be confiscated like contraband at some school sites. At other sites, teachers and administrators of the 'non-digital persuasion' will be allowed to pretend that the technological revolutions that are happening here and across the world do not affect them and by definition, their students. You can almost hear them uttering, "No need to alter how I teach."

Now, I am not suggesting educators should or should not have opinions about technologies and learning.  I'd expect most to have strong opinions. What I am saying is that as some educators and school systems continue to work as if it were the 1950s, the world beyond those school doors is quickly showing how irrelevant such positioning is.









Sunday, January 19, 2014

Vast Carelessness and School Reform

I. At School

This past week has been thought provoking.  Earlier in the week I conducted a full day inservice with a principal and a dozen teachers, many of whom I have worked with during the last two years.  I so believe in the work they are committed to doing on a daily basis at this southward school in Newark, NJ.  I work with this staff on a monthly basis and this week we closed the session by viewing a brief film that portrayed learning at a public school in Brookline, Massachusetts.  After the video ended, the principal paused and then spoke with the teachers about how she has to be mindful when she sees videos of other children learning to not minimize the potential of that learning because the children portrayed are living in such safer situations than the children who attend her school.  She said,
I'm thinking that those children in that classroom all ate dinner the night before.  That they did not have to walk past multiple murder sites from the last few weeks on their way to school.  I have to remind myself that our kids can learn as well too. 
To contextualize the principal's comments find below an image of a map that chronicles murders during the last year that happened where this school is located (map includes an adjacent city).

from here.
So I have been thinking about the kids at the school who arrive hungry, who arrive scared having travelled streets many adults would fear to tread, who arrive ill lacking the resources for medical care.  I can recall sitting in an 8th grade classroom at this school last spring when one girl reading from her notebook told about a shooting that had taken place up the street from the school the day before. Another child read about being the only surviving male in his family having seen his brother and cousin each killed within the past year and the weight of those deaths on him and his mother.  All of this weighs and I find myself thinking about the school solutions that are routinely offered (longer school days, longer school years, rigorous curricula, CCSS implementation, teacher education and evaluation) and I want to shout, Time Out!

This is not to say that those routinely offered solutions are good or bad, but rather that they often obfuscate the larger problem of racial income inequality that we don't seem to talk about very often and certainly do not entertain it as a viable solution to what ails us.

II.  Carelessness

So all of this was on my mind when I sat down earlier today to read the Sunday NY Times and found Sam Polk's rather narcissistic essay, For the Love of Money, gracing the cover of the Sunday Review. Polk, a former hedge-fund trader, situates his rather obscene desire for money (laments the smallness of a $3.6 million bonus) as an addiction--as if such maneuvering might recast the capitalist society that in many ways is responsible for producing the crime-ridden and hungry-child neighborhood I first described at the start of this post as something akin to a personal addiction problem that has now been conquered. Sam Polk is all better. There's no ownership in what his actions wrought.  There's no acknowledgement that the very bonuses he was given came on the back of the middle class and poor and have helped to create the abject poverty and hopelessness in a city where 111 murders have taken place this past year.  Rather Sam Polk has authored an all about me essay that only the disillusioned wealthy could write and sadly the NY Times could print.

I was reminded while reading Polk of the end of The Great Gatsby where Nick Carraway muses:
I couldn't forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy – they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together and let other people clean up the mess they had made […]. (9.136-145)
It's this extreme carelessness of hedge-fund traders and market speculators who make money out of hunger that is most disturbing.  They harm you and me, our kids, our neighborhoods, our country with little regard, if any, for their actions beyond how their actions influence their rather petty selves.  The end of Polk's essay has an almost Jonathan Swift  Modest Proposal feel to it--if only Polk was writing satire.  Polk has traded his hedge funding which creates income inequality for now helping the poor he helped to make manage their obesity and food addictions. Yes, you have read that correctly. His new nonprofit, Groceryships, is designed "to help poor families struggling with obesity and food addictions."




Friday, February 10, 2012

White Privilege, Classroom Discourse, and Being Other


Where No One Speaks English (April 2011 by M.A. Reilly)
As a small child living in Ireland, my grandmother practiced speaking Irish, a Gaelic language, with other children secreted behind the tall hedgerow that skirted the lane where she and her family lived.  Such were the times in the decades preceding the Republic’s freedom from Britain--a time when British rule still prohibited the Irish from speaking their language of home. From the Anglo-Norman Invasion of Ireland in 1169 through the subsequent centuries of conquest, colonization, and genocide--speaking Irish remained a punishable matter.  Irish culture, language, and music were banned by the British through the Penal Laws and through institutions, such as the national schools. Irish Catholics were considered subhuman. Consider Cambridge historian Charles Kingsley (1860) who in a letter to his wife wrote:
I am haunted by the human chimpanzees I saw along that hundred miles of horrible country...to see white chimpanzees is dreadful; if they were black one would not see it so much, but their skins, except where tanned by exposure, are as white as out own.
Or Oxford historian James Anthony Froude who in describing the Irish wrote: "...more like squalid apes than human beings...unstable as water...only efficient military despotism...the wild Irish understand only force."
Prior to the Easter, 1916 uprising, Michael Collins, a republican leader said:
We only succeeded after we had begun to get back our Irish ways; after we had made a serious effort to speak our own language; after we had striven again to govern ourselves. We can only keep out the enemy and all other enemies by completing that task. The biggest task will be the restoration of the Irish language (quoted in Ó Fiaich 1969: 111).
More than one-hundred years after my grandmother learned to speak her language of home behind a hedgerow, I sit here in the United States, thinking of this woman I never met, of a country, I too left, and wonder about the intersections among occupation, language, and stories. What does it mean to have to leave your language, religion, and rituals behind in order to survive? What does it mean generations later, when one’s native tongue is strange sounding to the ear? 

Although these matters have historical importance, they are also relevant and contemporary as situating some as Other remains with us, (in)forms our actions, and demonstrates our values and core understandings. One only needs to pop into 10-minutes of the current Republican ‘debates’ to see other being displayed.  I want to suggest here though that we can (and I hope do) also look more closely at the work we do at schools and perhaps become brave enough to see our own hand at work in othering, especially for those of us who are White and middle class.

Years ago at York University, Edward Said delivered a speech in which he defined imperialism, colonialism, and empire.  Said said:
As I shall be using the term--and I'm not really too interested in terminological adjustments--"imperialism" means the practice, the theory and the attitudes of a dominating metropolitan center that rules a distant territory. "Colonialism," which is almost always a consequence of imperialism, is the implanting of settlements on distant territory. As the historian Michael Doyle puts it, "Empire is a relationship, formal or informal, in which one state controls the effective political sovereignty of another political society. It can be achieved by force, by political collaboration, economic, social or cultural dependence. Imperialism is simply the process or policy of establishing or maintaining an empire.”
My grandmother lived under colonial rule. At the close of the 19th century as a child in Ireland, she was subject to British rule, an empire surely in decline, but nonetheless still a permanent force operating in her daily life. Although Empires collapse, the groups who have been privileged via the Empire often remain privileged well after the collapse, as the belief system that has set them apart and above from others is institutionalized and becomes the bearer of what ‘normal’ and ‘right’ is. I want to suggest here that much of what has informed what is ‘normal and right’ via past (and current) Empires filters into our classrooms and schools, is reflected in our definition of literacy as a singular, decontextualized matter.  We see it in the text choices that fill our classrooms, the way we limit essay and narrative to ‘correct’ forms, and the belief and practice that literacies can be represented as a finalized list of skills. We operate as if there was one 'correct' discourse and those who do not have this discourse are inferior. We have not come that far from the thinking that informed Kingsley and Froude. Such thinking permeates our daily work and may be less than visible to us, depending on who we are and how we live. 

As a white woman, middle class, and the mother of a child of color—white privilege is oddly noticeable, foregrounded.  In this post I want to take a few minutes to situate it, reveal it in its subtle and not so subtle forms as it operates in our schools.  W.E.B. Du Bois warned in 1903: “the problem of the Twentieth Century is the problem of the color-line.”  In The Souls of Black Folk, Du Bois wrote:

Herein lie buried many things which if read with patience may show the strange meaning of being black here in the dawning of the Twentieth Century. This meaning is not without interest to you, Gentle Reader; for the problem of the Twentieth Century is the problem of the color-line.

In the opening chapter, Du Bois asks the critical question of the last and I want to suggest this century as well: How does it feel to be a problem? He deftly surrounds this question with the discourse we speak:
Between me and the other world there is ever an unasked question: unasked by some through feelings of delicacy; by others through the difficulty of rightly framing it. All, nevertheless, flutter round it. They approach me in a half-hesitant sort of way, eye me curiously or compassionately, and then, instead of saying directly, How does it feel to be a problem? they say, I know an excellent colored man in my town; or, I fought at Mechanicsville; or, Do not these Southern outrages make your blood boil? At these I smile, or am interested, or reduce the boiling to a simmer, as the occasion may require. To the real question, How does it feel to be a problem? I answer seldom a word.
It is this ‘real’ question that we need to attend to, say aloud so that we can get beneath it and wrestle with how we situate those we consider ‘other’. Situating another as a problem represents imperialistic discourse--a belief, still with us today that informs pedagogical and content decisions, language and special education policies and practices, as well as how we situate ‘potential’ – a pernicious term if ever there was--on some learners and not others.

I had occasion a few years ago to speak with an elementary principal, Dr. Fallon (pseudonym). She explained that she did not think of the children at her school as children of color—of any color.  She did not see color, nor did anyone at the school, she told me. She insisted that the faculty and staff simply saw children; not their race.  Dr. Fallon is white. As I listened to her, I realized that she deeply believed she and the faculty were race neutral.  Such thinking is White myth-making—stories we tell and retell ourselves that allow us to remain polite, non-confrontational, removed.  If we claim to not see race, then we need not attend the underbelly of racial discrimination—the ways children get situated as problems.

As I listen to Dr. Fallon, I was equally aware of the function of memory and recalled a story I had been recently told about a child, a teacher, and the failure to see race at the school where she had indicated all were race neutral.
“When you can act like a third grader you will be allowed to sit with the other children,” Mrs. Carls, a teacher tells Jae. It is early October.
Jae, who is shy, easily embarrassed and desirous to not stand out in social settings gets up from the table where he normally sits and moves across the classroom and sits by himself at the one desk located away from the other children.  He has been caught talking loudly to a friend seated across the room, again.
This “event” is the last one in a long series of challenges that have happened only a few scant weeks into a new school year where Jae has been seen by his teacher as being a problem. One might wonder if other children in this classroom call out?  Or fidget?  Is it truly possible that only this one child does both? Is it so unexpected that an 8-year-old will do such things?
Earlier that day, Jae had yelled, “Yes!” out loud apparently disrupting his class after hearing an announcement calling for the boys and girls to try out for the school patrol.
“Aaron didn’t hear the announcement,” Jae would later tell his mother.  “He had to know. We were waiting for this. I didn’t mean to yell. I just got excited and wanted him to know we could try out. I didn’t want him to miss it.”
Being able to be part of the school patrol is a privilege reserved for third graders. Jae and his friends had been waiting until they were in the requisite grade. It would be an opportunity Jae would not come to know at this public school; a school situated in a largely white suburb. Because he blurted out, “Yes” and called across the classroom to a friend to tell him the announcement, he was left behind when his teacher and all of the other children went to the tryouts.  This was his punishment for talking out of turn.
Jae’s mother didn’t hear this story until later that night well after she had picked her son up from school, but said that she had noticed that he was extremely quiet and withdrawn throughout dinner. Hours later, in tears, he finally told her the story. She would learn that it was not only being left behind that injured Jae, but also his belief that his teacher did not like him as he is ‘different’ from the other children. The other boys, Jae would explain, can call out.  
“What did you do in the classroom by yourself?” Jae’s mother asked him.
“I wasn’t allowed to do anything. I just had to sit there with Mrs. Nomba (an aide) and wait until my class came back.”
It would be an hour later when the white teacher and the 18 white children came back to the classroom—their voices raised in the excitement that marks such occasions. Here they would find Jae, embarrassed by his misdeed, sitting alone.

It is in these small, perhaps even to some--inconsequential moments--that we need to pause and look critically for “White privilege” is an institutional matter. Peggy McIntosh explains: “I have come to see white privilege as an invisible package of unearned assets that I can count on cashing in each day, but about which I was "meant" to remain oblivious."  She continues by saying that her schooling “followed the pattern my colleague Elizabeth Minnich has pointed out: whites are taught to think of their lives as morally neutral, normative, and average, and also ideal, so that when we work to benefit others, this is seen as work that will allow ‘them’ to be more like ‘us’."

I think again of Jae’s primary grade experience and wonder what did he learn about his self-worth that day?  What did being left behind echo?  How might it have reinforced racially charged encounters he had already experienced? What is the weight of memory a child of color carries and how might teachers better understand such weight? What has Jae been learning each day in the classroom since?  What undercurrents of white privilege that is reserved for boys and girls whose skin is light and whose eyes are round has Jae internalized?  What did his white classmates learn that day about children who are located as “other’ by their teacher?

These are not small matters; ones we can tuck away with pleasantries and polite conversations alongside promises to do better next time. We need to talk openly and at length about the ways that white privilege permeates our schools and communities—even if it means feeling discomfort. We need to look inwardly at our own actions and assumptions and critically and honestly interrogate ourselves. How do our actions reinforce privilege for some? How does such history inform how we see and fail to see children?

I am not writing about the gross racial injustices that become front-page news. The ones read about from the comfort of one’s home and later talked about across expanses of lawn with all the requisite outrage truly intact. It seems almost, easy, to gather these stories and wear them as symbols of our sense of justice—as if such practice might absolve us from the seemingly smaller instances when we fail to stand up for what we know to be right. Yet overt hate crimes such as the heinous killing of African-American James Byrd, Jr., chained to the back of a pickup truck and dragged to death by three white men in Jasper, Texas in 1998 or the murder of Asian Mohammad Parvaiz, beaten to death by six white teens in West Yorkshire, England in 2006 have potential reiteration each time we fail to stand up and acknowledge the smaller, less obvious moments of racial injustice.

Monday, April 11, 2011

The Need to Compose & A Room of One's Own: Art Making & School-Based Writing

Creating Art
Yesterday I knew I needed to create something with my hands, not only my camera.  For awhile when I had a different job and oodles of time, I worked at collage frequently. I enjoyed making batiked papers for my collages, painting with watercolors and acrylics, collecting "found" papers, applying gesso to surfaces, using Liqiuitex or Golden gel mediums, having on hand a range of brushes, artist tape, some sponges, and course a brayer. It's the physicality of the work that interests me as the blank canvas begins to take on shape as I layer paper and paint.

I had been dreaming the last week of a room of my own.  It was a fairly massive space with very large canvases with the edges taped, ones taller than me, and serious rollers with long handles, and pans of paint. I don't have a room of my own.  So yesterday I unpacked art materials I had put away after starting my new job (now 17 months old), carted everything upstairs to the dining room table, covered it with paper and began to work.  A couple hours later, satisfied with the image, I photographed it and then imported it into Photoshop (CS4).  I let it sit on my screen for a few hours taking a look now and again. At about 11:00 p.m. I began to work with the image, layering parts of photographs I had taken the day before and playing. By that time, my home was very quiet and I worked for about an hour, and left the image up on my screen.

This morning, I returned to the image at about 6:00 a.m. and worked at it for awhile, but could not get it to a finished state so I left it alone again and went to work.  I got home at about 9:00 tonight and began thinning the image of the sun by blurring it.  This seemed to settle the work into an evenness that had eluded me. Because I work in layers, I can click off and on sections of the image to see differences, as well as reorder the layers to shift foreground and background.  24 hours later, I felt done and posted the image on RedBubble and Twitter.

School-Based Writing
Tonight I thought about the processes I went through to make the final image and contrasted that with the way "experts" on  several different videos I watched this afternoon teach writing. In preparation for some work I will be doing next week, I was reviewing video all afternoon.  I was dismayed at the amount of talk the guest teachers (expert consultants) did and how the kids regardless of the setting (middle school, high school) sat and watched the guests.  It was like an epic version of Waiting for Godot.

I also was concerned when the guests simply told the kids to write and gave them a few minutes.  Then the students were expected to confer with a partner for a minute or two and then read aloud their work. Throughout this process, each guest consultant kept referring to the students as writers. Most of the  work read by the students in each class was pretty mundane and quite unfinished, and certainly I can understand why, as creating was limited to 6 minutes, some talk, and then Pow: perform.  The expert consultants' comments to the kids were overly rewarding with statements like: "You are fabulous writers." "That's great work." "You're a poet." "You worked really really hard today in your groups."

I just didn't see any of that. And I am a hoping the kids didn't buy it either.  I'm confident the students can do better work, with greater difficulty and complexity than what 6 minutes of pencil to paper produces. So what I was thinking about tonight is the contrast in creating art--be it as a painter, photographer, or writer and the privilege I have to determine the time I need to create a work, the range of tools (physical and technological) I have to use, as well as the certainty that I can abandon or set aside work anytime throughout the process. The students I watched had none of these and I want to remind you that these videos (costly at that) are presented as models for teachers to follow. 

I kept thinking: When do kids learn that creating is tough stuff, not a six-minute task? When do students experience what all artists come up against walls that must be honored and pushed through? What might beginning teachers make of this?

Along Towards Morning (M.A. Reilly, 4.11)

Wednesday, November 10, 2010

Schools as Settled Households: Musings about Excellence and Teaching

The Way Home. Ringwood, NJ 11.6.10

When I was a child, I often wondered about the lives of the people who had previously lived in the house where I grew up.   I recall talk of a boy who battled leukemia and how his father worked off the tension and perhaps some of the fear by restoring every piece of wood (all walnut) to its original luster.  At that time, cancer was a much hushed illness, perhaps similar in tone to the previous generation who spoke of someone going to a sanitarium because of tuberculosis.  

By the time I came to America and settled into that house—the boy and his father were long gone. Yet, the stories I heard and now recall some 50 years later continue to inform the way I live and love, the people and understandings I value and trust. Home is often so much more than location—be that time or space.  Recently I have been thinking about home and what it might mean and to whom.  I was traveling the other day, heading towards home, and snapped the photograph that tops this post.  Home to me has often been both a location and a presence of mind. Even when the location was not as solid as it is today, the presence of mind has never been fleeting, shabby, flimsy or forgotten.  Home allows me to recall what I cannot forget: that every human matters, that the course of actions I take and fail to take imprint me in ways I will not be able to distance myself from at some later moment, and that each small moment offers the opportunity to demonstrate the ideals I value and have learned in the company of others.

In the course of my professional work, I recently have been asked to think about the question, "What is excellent teaching?"   I know instinctively this excellence is not housed in the single body of the teacher. I think we spend far too much time wondering about the excellent teacher and not enough time wondering about the conditions that gives rise to "excellence".  This is not to say there are no teachers doing valued and fine work, but rather, all of the fine work I have been involved in has occurred in the context of a more extended group and that "excellence" has been locally determined.  

Wendell Berry offers a description that is helpful.  In an essay I recently had published ("Dressing the Corpse: Professional Development and the Play of Singularities"), I made use of Berry's concept about the differences between the technical farmer and the good farmer.  Earlier in the article I had discussed observing a fairly new primary school teacher (Ms. Sheridan) in an inner city. Ms. Sheridan had been "developed" by the school system to deliver a product, not teach. This professional development was done to her in an effort to make her excellent.  I wrote:

Months after meeting Ms. Sheridan, I have occasion to think of her again. It’s quite late at night and my husband and son are each asleep. In the quiet of the house, I sit at the kitchen table reading Wendell Berry’s The Unsettling of America. His description of the technical and the good farmer momentarily distracts me and I find I am thinking of Ms. Sheridan again. The technical farmer, Berry says, can be made by training, while the good farmer, “is a cultural product; he is made by a sort of training, certainly in what his time imposes or demands, but also he is made by generations of experience” (1977, p. 45).
Berry explains that the essential experience of the good farmer is “tested, preserved, handed down in settled households, friendships, and communities that are deliberately and carefully native to their own ground” (1977, p. 45).  In what ways, I wonder, might schools become similar to these settled households; places where teachers, like Ms. Sheridan, are able to learn from generations of experience so as to inform, invent, complicate, question, redirect, and revise their work native to their own ground?

Instead of inquiring about the excellent teacher (I think this is a hold over of the same mindset that believes in superheroes) as if some prototype might exist, I want to suggest that we ask how we might engender schools to function as settled households native to their own ground.  Excellence, regardless of the mania about standards, is a socially compose construct and does not exist in some finite,  singularly "truthful" manner. What we name as excellent is connected to who we are and are not. 

I deeply believe that excellence, as defined by people in a common place and time, rests not in a single person, although it may find expression through a single person, but is part of a collective experience that is locally realized. Those who have come before us and those who teach and learn alongside us influence the work we do.  The culture of a place is more important than any single individual.  We would be wise to not mistake the "excellent" teacher from the place(s) s/he has worked and the stories that have (in)formed the culture of that work.