Showing posts with label difference. Show all posts
Showing posts with label difference. Show all posts

Tuesday, December 2, 2014

Being is Not Univocal: A Response to Jay Belsky & Eugenics 2014

Coming through the Rye (M.A. Reilly, 2010)

I. Partial Views

I first met Darren after he somersaulted into our class. It was his first day of high school and this was the manner he entered the class most days. Darren talked to himself, made models out of folded paper, and had little use for homework.  He had a keen sense of humor.

Ryan, I was told didn't speak at school from 2nd grade until 10th grade. He was routinely picked on in grade school his peers would tell me. He was without question the finest writer I would ever teach and I can still recall that last period of 10th grade English in early October when his 28 peers sat in awe as I read (with Ryan's permission) a dystopian story he had penned.  His first words at school would come later that week. 

Then there was Carlos who in first grade also did not speak and interestingly was able to signal to the class that information about a snake we were studying could be found on a particular in an old encyclopedia he routinely studied.  He showed us the drawings of snakes and other reptiles he had drawn in a notebook I had made for him, turning each page and pointing. 

Then there was Tony who had spent considerable time the previous year in the hallway as he had lot of trouble sitting still and had been 'diagnosed' with ADHD. As an 8th grader he learned behind the lens of a camera, documenting learning and in doing so building his knowledge of composing.  It was his idea that we clear the room of the desks.  He so wanted to move. His idea allowed for increased classroom performance space and what got privileged that year shifted, in part, as a result of him.

Ava was a painter and she helped me to create art conversations (nonverbal discussions using paint as a medium) as a way of making sense, making connections with others and texts that we used during English class. It was a method I would use for the next 30 years. Ava often saw the world through design. She had struggled to put ideas on paper. She painted complex compositions that she could narrate.

Steven arrived in fall of senior year in the late 1980s with a full time nurse, a computer, keyboard and a straw he held in his teeth that he used to communicate by hitting the keys on the keyboard and spelling out his thoughts. Steven had never been to school and it was his desire to do so. He attended English and history that year during the warmer months and graduated with the class that June. 

I met Robert when he was 19 and arrived in English class late September after being expelled from a technical high school for assault of his former English teacher. He was surly, unread, and difficult.  Across the school year he began to connect with books and read a trajectory of texts I could never have predicted. He concluded the year with Kundera's Unbearable Lightness of Being,  a book only he read in the class. We exchanged marginal notes as a way of discussing the text. He was an amazing intellect whose life beyond the classroom walls was increasingly difficult and dangerous. Both he and Steven would be dead just a few years later.

All of these young people I referenced struggled physically, academically and/or socially at school. Each might be understood as quirky, odd, outside the norm, different, even difficult. To not have know each (as best I could) would have diminished my life.

II. I Know Better Than You: The Obedient Child

A history of teaching children young and old has taught me repeatedly that what I think I know about learners is quite partial. Their lives unfold in ways I simply cannot predict, nor is that my privilege. And so it was with this perspective that I read Jay Belsky's New York Times article, The Downside of Resilience after it had been referenced in a tweet by Ira Socol (@irasocol) and in a post by Anthony Cody (@AnthonyCody). Cody quotes this from Belsky's article:
One might even imagine a day when we could genotype all the children in an elementary school to ensure that those who could most benefit from help got the best teachers. Not only because they would improve the most, but also because they would suffer the most from lower quality instruction. The less susceptible — and more resilient — children are more likely to do O.K. no matter what. After six or seven years, this approach could substantially enhance student achievement and well-being.
It's hard to breathe after reading such a faulty and dangerous vision. Belsky is recommending that "..we seek to identify the most susceptible children and disproportionately target them" based on a genotype profile (as if genes were destiny) with academic/social interventions from the 'best' (for whom?) teachers. 

In Deleuze's Difference & Repetition, he tells us, “There has only ever been one ontological proposition: Being is univocal" (p. 35).  

Being is not univocal. That we labor under this delusion is what I thought about when I read Belsky's article. Beneath his proposition is an unstated belief that there is some closed set that can be named by others that we all (univocally) find desirable, essential.  Really? 

Who determines what is desirable in Belsky's schema? Keep in mind that Sir Frances Falton, the father of eugenics, believed that 19th century British elites represented the model of human perfection. Now perhaps it's because I hail from Dublin, but the idea of 19th century British elites representing human perfection is laughable, as it is tragic. Every bad idea for humanity begins with the proposition that someone with power knows better and therefore can act upon those with less power with impunity.  Is this not the foundation for genocidal thinking?  A sanitized life, genetically and/or behaviorally manipulated, is akin to a life of servitude. 

III. Who Determines?

At the center of this discussion are a few questions, with the first being most central: 

  1. Who determines? 
  2. What cultural, economic, political, geographic, religious, racial, and gender imperatives dominate? (No decision is neutral).
  3. With what agency do children live lives in and out of school? 
A flaw in Belsky's plan is the underlying belief that he and others know best. We see this played out well in Aldous Huxley's dystopian novel, Brave New World. There we see the tension between beauty and stability. In chapter 16, after the Controller quotes from Shakespeare's The Tempest, Savage reacts, surprised that the banned work has been read. This leads to an inquiry by Savage and then Helmholtz as to why the people cannot view Othello and why the writers cannot write something akin to Othello. The Controller answers:
"Because our world is not the same as Othello's world. You can't make flivvers without steel–and you can't make tragedies without social instability. The world's stable now. People are happy; they get what they want, and they never want what they can't get. They're well off; they're safe; they're never ill; they're not afraid of death; they're blissfully ignorant of passion and old age; they're plagued with no mothers or fathers; they've got no wives, or children, or lovers to feel strongly about; they're so conditioned that they practically can't help behaving as they ought to behave. And if anything should go wrong, there's soma. Which you go and chuck out of the window in the name of liberty, Mr. Savage. Liberty!" He laughed. "Expecting Deltas to know what liberty is! And now expecting them to understand Othello! My good boy!"

This doing unto others as a means for stability and as an exercise of power is a root problem. One only needs to think about residential schools where indigenous children were interred to understand the faultiness of  someone knowing best. It is with the omniscient sense of self, that we most often know tragedy. 

A life well lived is complex and impossible to map ahead of time. Small perturbations can create significant changes and it is here that we must lean in and ask what has been lost by our tampering? Whose agency has been usurped? What have we unknowingly sacrificed? What life direction that might have evolved as a result of a perceived 'negative trait' have we shorted? 

Jay Belsky's belief in the use of science to engineer better academicians is faulty at best and dangerous for all. Let us learn how to love our quirks, challenges, and differences.



Sunday, October 12, 2014

Birds Lifting

Birds Lifting (Reilly, 2012)
I.

I'm driving. Dev, my 15-year-old son, turns in the seat and says to me, "There's no getting to what is needed without first protesting."

I'm silent, thinking.

"Not even things that should just be given cause we all know that they're good. These days you can't get to it without a protest."

I listen, refuse to rush in and fill the space his words have opened.

"It's our interests against the corporations and the only way to get our government to actually work, to do what we've put them in office to do, is to protest," he adds. "Everything requires us to protest."

More silence. More space opening.

"It hasn't always been this way," he says in a voice that feels somewhat younger--almost as if he wasn't making a statement.

Or perhaps that's how I want to hear him.

I feel his absence of faith.
Perhaps, I'm feeling my own as well.

"You're right. It hasn't."

As we almost crest the hill that leads to our home, I slow the car and we wait there in the middle of the road. An unsafe place for sure, just below the crest of the hill. We wait as hundreds and hundreds and hundreds of black birds ascend from tree branches, shrubs, and lawns--darting across the road towards the woods. We sit and watch. The car idles, the windows are down, the roof is open and the birds fly--a steady stream of black interrupted now and then by bits of slate grey sky.

"Wow, a Hitchcock moment," I say to Devon.

We are of few words.
II.

I'm putting away groceries thinking about my son's declaration and I'm reminded of a far earlier time--one where I'm talking loudly with my Da. It's dusk, a half-hour or so before supper and I'm explaining to him how we have a caste system akin to India and he's arguing back, a Manhattan at his ready, saying it's not quite so bad. There are still possibilities.

I think he's being less than truthful, choosing his words with some care. I watch as he takes a sip of his drink, pauses. Yes, he's being careful not to deny that a caste system of sorts exists here or at least that's how I'm hearing it, how I'm remembering it. This is the man who took us across the country to the Painted Desert to see what our government had done to the Navajos.

Love is so inconsistent.

They won't teach you this at school, he tells my older brothers and me.

We head towards Interstate 40 traveling East on a road that is marked only by a thin single grey line on the map. I can still see the face of the girl who looked to be about my age, who stood opposite me in that harsh desert light each us bound by the heat. I can see her hand as she takes the few coins from my palm. Her nails are dirty, mine ragged. I bought a small totem she had painted. I still have it, decades later, packed away in a box stashed in my dead father's' attic. This is the way it is. Regardless of where we store the trinkets we've collected along the way, we continue to bear their weight.

And so, on that late day I'm thinking he should know better. I've been telling him about Vicki Battle and how we're friends on the field, just the field. I play third base and she's our short stop. We know how to work the field, back one another up. We've been doing it for years. My Da has watched us play.  But I'm telling him now with some urgency that she and her family live down by the tracks on a block packed with narrow, attached two-story houses. The train runs behind her home.  He knows the area and nods. And it's just like Caesar's place I add. A boyfriend with a notable name, Caesar Chavez, who lives just a town away, who lives above a bar. Trains run behind his apartment too, rattling the windows that are lit by neon.  Between us is such distance--a möbius strip that keeps us from touching.

We live further up the hill where there are no trains, no tracks, no neon. Here, narrow driveways separate one house from the next.  An odd repetition.


III.

I wonder what stories my son will tell when I am no longer here, no longer alive. We are always moving towards death. I wonder who will witness his tales. Who will hear his voice?

Will he remember a fall afternoon thick with black birds?
Will he tell about the time when he first recognized that the only way for right to happen in the world was to first protest?

Injustice is a constant that connects generations.

I wish I could be more clever, more in the moment. But the moment has gone. What I wanted him to know, but failed to tell him, was that difference has never been an antonym for sameness.


Thursday, January 17, 2013

In-Between Spaces

(in)between (M.A. Reilly, 2013)

I. 

Homi Bhabha (1994) writes:
What is theoretically innovative, and politically crucial, is the need to think beyond narratives of originary and initial subjectivities and to focus on those moments or processes that are produced in the articulation of cultural differences. These 'in-between' spaces provide the terrain for elaborating strategies of selfhood--singular or communal--that initiate new signs of identity, and innovative sites of collaboration, and contestation, in the act of defining the idea of society itself (p. 2)

And 
          I wonder 
          how his words might address 

the multiple understandings of          teacher         student         school 

                                                                     we intend when we compose and what we might learn if we too were to focus on those moments produced in the articulation of cultural differences?  What 'in-between' spaces might be present in the current discourse about education 'reform' especially as we consider such positioning from a variety of perspectives?  How might and do we locate, (re)name, share, dwell and contest such spaces?  


What it means to (un)learn and (un)know can be innovative sites of collaboration and contestation too.  It is both/and we need to seek, become comfortable with, embody.

II.

The Spaces Between (M.A. Reilly, 2011) 

And perhaps we need to turn
                                        to one 
                                        another        more

especially when the felt need to locate things as they are and are not seizes us and see what we make between us. 


It is this making that most (re)presents the spaces between.


III. 

Bakhtin (1984) tell us:
Truth is not born nor is it found inside the head of an individual person, it is born between people collectively searching for truth, in the process of their dialogic interaction (p. 110).
Meaning is made at points of utterance and cannot be sent ahead, regardless of how clever the packaging might be.  So it is not truth, but the searching for truth that is composed dialogically. There between us is a momentary certainty we reach that obscures like fog between trees a larger understanding of the shifting nature of personal and communal geographies.

Our differences are a definition and help us not to not gesture to some future, some point beyond, but 


                      to be rooted here. 

                        Now. 
                    Between.  


IV. 

What if we were to read the concerns and challenges presented via (non)public educational institutions not as things that need to be fixed, but rather as indicators of displacement and disjuncture. How might these in-between and partial spaces and ways of (re)naming challenge the way we understand learning? The ways we understand the 'current educational crisis'?  

Imagine the polyphony of voices we might hear.  Perhaps out of such partiality new communities of learning might emerge.

Absence  (M.A. Reilly, 2012)