Showing posts with label teacher. Show all posts
Showing posts with label teacher. Show all posts

Saturday, March 12, 2016

#SOL16: Goodbye Rob

Rob at Play with a Friend. 

Yesterday, friends, relatives, former students, parents and educators who offered tribute at my husband's funeral helped to characterize the man I have known these last 30 years. He was one of a kind. A master teacher. A loyal friend. A man who showed he cared with each gesture. A man who loved deeply and inspired love. A man who knew how to play and enjoyed doing so.

One former student handed me a notebook she had kept from when she was a student in Rob's English class. "His writing is in it," she told me as she cried. "He saw something in me I'm still trying to find." This woman was Rob's student a decade ago.

Another student, now readying to leave high school--the last students Rob taught while a middle school teacher--said simply, "Mr. Cohen was the best teacher I have ever had. The best." Later when he was exiting he asked me, "What books do you think Mr. Cohen would recommend I be reading now?" I invited him to come to our home and peruse Rob's library and help himself to some books.

A principal who we worked with in Newark spoke. She began by saying that often her students are not seen as having a lot of potential. She added that one of her teachers had the opportunity to observe Rob while teaching and this teacher brought back to the faculty important techniques and the more important belief that helped them to deeply know that all students can achieve, regardless of circumstance. Our friend, Laconia Therrio who officiated, summarized this belief Rob held so closely well. He said, "Rob didn't see at risk students, he saw at potential students."

I hoped as I listened that Rob had an ear to the ceremony. That he could see how much he mattered and continues to matter to those present. His legacy lives on in the work he did.

Towards the end of the funeral service, the song, Maybe I'm Amazed was supposed to be played. Instead, Led Zeppelin's Dazed and Confused came blaring through the speakers. No one seemed to know how this happened as the songs that were to be played were on the desktop of the computer. Nonetheless, we all shared in the humor of that moment.

I'd like to think it was Rob's way of having the last word.  Love you, Rob.

Tuesday, March 1, 2016

#SOL16: Mentor

Rob and Devon (2000)
In this post, a friend who was mentored by Rob writes. She sent me the following email and gave me permission to post it. It helps so to know how Rob has given to others. I know how Rob's love has manifested within our small family, but it is so enriching to hear other stories.  Rob would love the exchange of stories as he valued stories and storying so greatly. Thank you, Erica for sharing this story.


Mary Ann,

It feels terribly awkward to say that I look forward to your posts but they make me feel so deeply. Your beautiful, honest writings move me and I'm sure all who read them, whether they know Rob personally or not. I would like to share with you how your gentle giant came into my life. 

I am Rob's student.

FAMS has a Living Lessons program every other year and I took a day off to volunteer for this organized symposium of speakers who share personal struggles with the students to educate and inspire. The theme that year was Reflect, Respect, Remember. There were a few Holocaust speakers, a handler with a rescue dog, and various others. I knew Rob peripherally as the English teacher that looked like a guy on the left and maybe a little "leftover" from the 60's. :) 

By divine fortune, Rob and I sat down at a lunch table together with a woman who was sitting alone. She had escaped the Rwandan genocide and was happy to have lunch-mates . We three broke bread as strangers but within minutes communed as family - humans sharing the same planet. I was amazed at the depth of compassion, intelligence and pure goodness in your husband. This combination is so rare, so beautiful and I dared to dream that I could hear more of what he had to say. I was subbing in the building and he took me under his professional wing and guided me in ways that I knew, even then, that were shaping me as an educator. Maybe he saw me as clay......turning me to his ways of touching students, enriching them with a genuine interest in their stories......he spoke often of stories and encouraged me to draw, think and listen to stories. He told me of your stories and your art, he also told me of Devon's art with computers and building. 

"Better we ask what influence on students' lives has the teacher had than what score on a single measure.  The single measure rarely matters.  The influence almost always does."

I began working in an autism program with preschoolers while studying at Seton Hall and he became my mentor. I don't know how it happened but I suppose he has such a strong belief in filling the world with goodness that he took it upon himself to try to teach me all that I lacked. He emailed me, pushed me to ask and answer hard questions and permitted me to bounce my questions off of him. We met for coffee and sometimes all I could do was to take notes on who I should be reading or what I should be researching. He had so much to share and always so generously. I knew how important his ideals were to him and the work/art/craft of educating and I will be forever grateful for his tremendous impact on me. I have all of our correspondence saved (mostly because it has always been so content-rich and I never have time to look up his recommendations at the moment.) At some point, I would like to print and give to you for Devon. Maybe someday he will want to look at the things his dad tried to teach others...one of the ways he spread some of his goodness around.  I promise to do my best to honor this master teacher. 

It is a privilege knowing your Rob and I am humbled by the gift of his friendship.

I remain Rob's student.
Reflect, Respect, Remember

Monday, February 29, 2016

#SOL16:My Husband, The Teacher

Rob Conferring with Students

Last night I opened an email from one of Rob's former students. He wrote,
Mr. Cohen is the greatest teacher I have ever had, and probably will ever have. He opened up my mind not only to literature, but also to so many other facets of life and academia. I truly view him as one of the most influential mentors in my life, and I am so grateful that we had the opportunity to correspond with one another throughout my high school years. Reading what you wrote about him thinking so fondly of me really has touched me. 

Rob taught this student 5 years ago. As he did with so many students, Rob kept in touch with his former students, mostly through email and texting, but also with some in person. One of the jokes in our family was that we could never eat out without running into one of Rob's current or former students.  Even when we were in a hotel in San Francisco one year, we were not too surprised to hear, "Mr. Cohen!" being yelled across a lobby.  Rob had that effect on others.

Last week another former student came to visit Rob. He was sleeping when she arrived and she sat and talked with him for close to an hour.

These students' words and actions have me thinking how Rob will live on in the many ways he has influenced others. It reminds me that the influence of teachers is formidable, beautiful, necessary. It reminds me that the matrices to gauge teacher effectiveness represent a low bar. Better we ask what influence on students' lives has the teacher had than what score on a single measure.  The single measure rarely matters.  The influence almost always does.

Thursday, January 22, 2015

The Bricoleur: Speaking through the Medium of Things


I.

During dinner, a week ago, I realized that Rob and I are raising a bricoleur. Our son makes stuff from found things.

He repurposes.

He tinkers.

He's in the process of altering a computer he built a year ago in order to make it more energy efficient and when I asked him what he planned to do with the components he's removing from the computer, he told me matter-of-factly that he would keep them on hand so he could (re)use them in new ways.

Bricoleurs make do with materials they have at hand.


II.

I've wondered about bricolage for a long time and thought about its potential as a way of being at school and owning your learning be it as student and/or teacher. Some years ago I likened bricoleurs to certain types of teachers.  I explained there:

In The Savage Mind, Lévi-Strauss (1962/1966) referred to bricolage as the make-do activities a handyperson employs while working. The bricoleur is one who tinkers with the materials at hand. Lévi-Strauss explained that “the materials of the bricoleur are elements which can be defined by two criteria: they have had a use...and they can be used again” (p. 35, italics in original)...Lévi-Strauss wrote that the bricoleur "derives his poetry from the fact that he does not confine himself to accomplishment and execution: he speaks not only with things...but through the medium of things. Throughout the year, Mr. Krantzman uses the work he and his students create as a means for further inquiry and dialogue. Resituating and transposing ideas, hunches, and products is the modus operandi in this class.” (2009, p.376).
The idea of speaking through the medium of things interests me and I wonder how often children and their teachers are afforded such permissions, especially in these days of overly scripted curricula. It's hard to teach reading or writing well when tied to someone else's language, some company's sense of pace, or another person's selection of texts.  Attending to such commitments actually pull us away from the here, the now and in their place substitute an epic sense of teaching.

One truth of an epic world is that you cannot alter the events. They are sealed. Delivered whole. Untouchable.

There is little emphasis on learning in scripted programs--as these methods tend to see the complex world of teaching and learning largely through the teacher's eyes. The teacher is being told what to say. The child is held mute.  Such schema is most often arranged within the epic world where the script an be transferred whole, untouched for others to enact.  The clash comes when we notice that the world where scripts make sense is in conflict with learners and fine teachers who reside in the present.


Monday, March 31, 2014

On Brilliance and Necessity and the Problem with an Autonomous Model of Literacy (AKA Common Core)

Empty Lot (M.A. Reilly.  Harlem  2012)
"I love those who yearn for the impossible." - Goethe


I received this tweet early this evening from Heidi Siwak (@HeidiSiwak) that included a link to an important post, Creative Solutions are No Accidents. (Please take a moment to read.)





I stopped what I was doing and read the post and then reread it and then thought: There's such scholarship and generosity--inquiry and curiosity in Heidi's work as a teacher and learner. What I so appreciated in the work and processes Heidi describes is the occasioning of thinking and problem solving, alongside community that she composes. Complexity cannot be caused. At best, it can (sometimes) be occasioned. Such understanding, especially when actualized, represents a major shift in teaching. We move from what should and ought to happen to what might or could happen.

We dwell in possibility (A fairer House than Prose...).
Heidi's work exemplifies such a shift.


Her work reminds of this important shift we also need to be thinking about when working with teachers:



The overt (and perhaps even tiresome) obsession in the U.S. with the Common Core has redirected professional attention and critical resources almost exclusively on the endless naming and renaming of content to be learned. How many ways can we say, "Pay attention to text while reading and writing"? (You can hear the drone even from great distances sounding: Close reading. Evidence. Rigor. Complex Text. Close reading. Evidence. Rigor. Complex Text and so on...)  These words and phrases are empty as they are fashioned out of a belief of an autonomous model of literacy instead of recognizing literacies as being inherently ideological.

Brian Street who first coined those phrase (autonomous and ideological) explains:

The ‘autonomous’ model of literacy works from the assumption that literacy in itself – autonomously – will have effects on other social and cognitive practices. The model, however, disguises the cultural and ideological assumptions that underpin it and that can then be presented as though they are neutral and universal ... The alternative, ideological model of literacy ... offers a more culturally sensitive view of literacy practices as they vary from one context to another. This model starts from different premises than the autonomous model – it posits instead that literacy is a social practice, not simply a technical and neutral skill ... It is about knowledge: the ways in which people address reading and writing are themselves rooted in conceptions of knowledge, identity, being. Literacy, in this sense, is always contested. (Street, 2000, pp.7-8).

Discerning key differences between autonomous and ideological models of literacy helps us to understand situating teaching as a causal act and understanding teaching as attempts to occasion learning.  Heidi's work (as described in the post) illustrates the creative scaffolding necessary to occasion learning that happens within social practices of the classroom--where 'conceptions of knowledge identity, being' are present and contested.  It's a messy, complex place.
Forgetfulness (M.A Reilly, 2010)

When I read about the intellectual and social spaces Heidi's work with children opens, I remember what it means to teach as a learner, not merely as a player cast in someone's already determined epic. What passes as teaching excellence in these CCSS days is paltry stuff--something akin to cheap magician tricks. How could such mimicry ever escape the paralysis that comes with the philosophical belief that literacies are neutral, universal: Repeat after me: Close reading. Evidence. Rigor. Complex Text. Close reading. Evidence. Rigor. Complex Text? It is as if meaning of these terms remained universal, unmoving, untouched--not something emerges as it is being made. Bakhtin described such phenomena well when he wrote: “[d]iscourse lives, as it were, beyond itself, in a living impulse toward the object; if we detach ourselves completely from this impulse all we have left is the naked corpse of the word” (1981,  p. 292). In so many ways, the resurgence of CCSS certainty is as Bakhtin (1981) describes epic: a poem about the past” told by “a man speaking about a past that is to him inaccessible” (p. 13).  
In contrast a living impulse describes well the classroom Heidi shares with students as they create and deconstruct--test constraints that confine and liberate. The means to thoughtful inquiry is composed, not copied.

No simulacrum there.

This is the great stuff of teaching--learning.
The trial and error.
The making of failure and more failure and within that the opening of  big, big space where ideas bloom wild and becomes named alongside critique.

Oh, to be a learner there.


Cited Works:

Bakhtin, MM. (1981). The dialogic imagination. Ed. Michael Holquist. Trans. Caryl Emerson. Austin, TX: University of Texas Press.

Street, B. (2000). ‘Introduction’ in Street, B. (ed.) Literacy and Development: ethnographic perspectives. London, Routledge, pp. 7–8.





Saturday, January 21, 2012

Bold Schools Part II: Teacher as Time Traveler



Time Traveler (M.A. Reilly, January 2012)
Will Richardson's search for bold schools nudged my thinking too.  In a former post, I wrote about the learner as knowmad, borrowing heavily from Pekka Ihanainen and John Moravec's concepts about knowmads.  In this post I explore teacher as time traveler. In the the third post I will explore community as rhizome. All three are conditions present in my conception of bold schools.


1. Clocks
And so I told myself to take that one. Because Father said clocks slay time. He said time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life. The hands were extended, slightly off the horizontal at a faint angle, like a gull tilting into the wind.  - William Faulkner, The Sound and The Fury.

About two years ago I stopped wearing a watch.  This wasn't done for any philosophical, literary, or even political reason, but rather wearing one seemed a bit archaic--unnecessary even.  As time is relative, what exactly is being represented by the movement of hands on a watch?  I sometimes think the early Egyptians had a finer sense of time via their sundials as they recognized that an 'hour' was not a constant. Variations in time clicked on until the medieval period, when the pendulum clock was invented and along with it, time and commerce co-mingled.  Purchasing time moved from concept to guiding reality--one that remains with us (just consider interest on loans) and (in)forms our understanding of school.

Lewis Mumford in Technics and Civilization (1934) rightly observed, "The clock, not the steam-engine, is the key-machine of the modern industrial age."  The clock regulates.

It regulates you.

Me.

Schools.

In bold schools, there is the recognition that in addition to 3-dimesnions of width, height, and length--there is a fourth dimension, time-space.  In traditional schools, acknowledgement of relative time is obscured by regulation and standardization of the day, the term, the school year.  

Let's take a closer look.


2. School Time

The schoolroom clock was worn raw by stares; and you couldn't look up at the big Puritanical face of it and not feel the countless years of young eyes reflected in it, urging it onwards. It was a dark, old spirit that didn't so much mark time as bequeath it. Tod Wodicka, All Shall Be Well; And All Shall Be Well; And All Manner of Things Shall Be Well: A Novel

There's always a clock, isn't there?  Prominently displayed, the schoolroom clock is a staple, representing the regimentation that manages the coming and going of all.  And yet, the classroom clock in many ways is a testament to the fact that time does not flow at a constant rate, regardless of the ways we choose to represent it.  Just recall a time of tedium that informed a classroom stay and surely the concept of relativity becomes more embodied, less esoteric.  The orderliness of the clock as a single representation of time misrepresents the complexity of how we experience time just as the standardization of schools misrepresents learning.

Within any school environment multiple representations of time are present, yet not privileged in the way learning is organized.  In this manner,  schools are work like factories with all adhering to set starting and ending times, lunch breaks, passing time, and allocated 'minutes' by subject. Like factory lines, children are given x number of minutes to complete task y or task z.  Failure to adhere to the established scheduled is considered failure of the task. Time is an odd  constant. The tasks are predetermined and issued.  In many states, high school diplomas are granted based on seat time: literally the number of minutes one's seat has sat in a schoolroom chair. Yet, learning, like time, is conditioned and responsive to context.  Both are relative.

At a bold school, the environment is not set and a learner's time is local. The teacher travels across learners' notions of time, as establishing and managing time is understood as critical learning.  The teacher is a time traveler insomuch as s/he works in a fluid and changeable environment populated with learners whose time experiences are varied.

3. Local Time at the Bold School

The quantum theory of gravity has opened up a new possibility, in which there would be no boundary to space-time and so there would be no need to specify the behaviour at the boundary. - Stephen Hawking, A Brief History of Time: From the Big Bang to Black Holes

Boundaries are interesting. Specifying behavior at the edge of a boundary is a most frequent task teachers enact with students in traditional schools for in a regimented world, boundaries are prolific and one might even argue, necessary, in order to maintain power.


This is the way you line up to leave the classroom.
This is the way you ask for a pass to use the bathroom.
This is the way you exit a burning building.
This is the way you sit during an assembly.
This is the way you write a heading and format our compositions.
This is the divider you place on your desks when taking a test.
These are the hallways in which you do not run.
These are the guards who come to the classroom door to bring you to be disciplined.
This is the way you signal when you want to speak.
This is the way you keep a notebook.
This is the specific notebook you must have in order to write notes.
These are the notes you must copy and do so exactly as indicated.
This is the time you may use a computer to complete a task.
This is the task you must complete in x minutes.
This is the reading quiz you take when you finish reading a book.
This is how you walk to a special.
This is how you enter the school.
If you are a minute late to school, this is the line you stand in for 15 to 20 minutes in order to indicate you were late.
This is how you line up to get lunch.
These are tools you need to learn with and this is how you ask permission to use them.
This is the way you huddle in the corner of the classroom in case an intruder with a gun shows up at our door.
This is how you sit to learn.
This is fear. This is the way to wear it daily.
Boundaries abound and stripped of institutional context, the absurdity seems more apparent, doesn't it?


In a bold school, time is overtly relative by design and learners are knowmads who "work with almost anybody, anytime, and anywhere" (Moravec, 2008).  As such, regulating behavior is less needed and teachers' roles shift from maintaining order and adhering to institutional and self-imposed sets of behaviors to understanding learners' intentions.   In such an environment,  teachers are situated as time travelers--those who negotiate their students' multiple and varying time frames, and in doing so are reflexive in order to support, teach, and guide these knowmads on their journeys.  In such a world, the term, teacher, is a placeholder for multiple types of people who guide, instruct, apprentice, and co-learn both within and beyond the physical classroom.  Some of these teacher-guides travel alongside a group of learners for years, while others fade when no longer needed.  Teachers visit, but do not live in the varied temporal realities of their students.  Susan Sontag notes:
To be a traveler...is to be constantly reminded of the simultaneity of what is going on in the world, your world and the very different world you have visited and from which you have returned home.
Teachers, in bold learning spaces, hold such simultaneity in hand and that knowledge allows them and their students to craft important learning. This role requires new language, similar to the verb tense conundrum that Robert Heinlein discusses in his novel,  The Door Into Summer:
Nothing could go wrong because nothing had...I meant "nothing would." No - Then I quit trying to phrase it, realizing that if time travel ever became widespread, English grammar was going to have to add a whole new set of tenses to describe reflexive situations - conjugations that would make the French literary tenses and the Latin historical tenses look simple.
Time-traveling teachers recognize that listening well in order to better understand their students' locations is a critical teaching skill one that compliments a shift in what counts as important knowledge. These teachers work in an environment where what constitutes important knowledge has shifted from learning prescribed and explicit content to composing knowledge collectively.  Dave Cormier (2008) in Rhizomatic Education: Community as Curriculum captures this idea well when he writes: “The community is not the path to understanding or accessing the curriculum; rather, the community is the curriculum." Learning in these times is less about absorption and more about participation.

4. Embodied Location

“Mr. Duffy lived a short distance from his body.” - James Joyce, Dubliners.


In lieu of the solitary schoolroom, a bold school recognizes a field of potential spaces to learn, beginning with an embodied self.  As such a learner's 'school' is the self in a community: his/her home, libraries, coffee shops, book shops, parks, state forests, museums, various storefronts, recreation centers, art and music spaces, dance studios, government buildings, beaches, the ocean, research centers, shelters, labs, a corner diner, bakery, architect's studio, dentist and doctor's offices, the hospital, the town hall, the police station, garden, farm, morgue, petrol station, amusement park, machine shop, theater, and so on.  One only has to look at the learning spaces Monika Hardy via the Innovation Lab is creating in Loveland, CO community to see how this might work.

Oddly, a bold school is inherently local, especially for the time traveling teacher.  Against the uncertainty of time, one revels in an anchor of sorts. I think here of Michael Doyle's blog post where he dreams of teaching his students clamming. Michael writes:
I dream of teaching my students how to clam. It's a local activity that will never be part of the national standards because it's a local activity. That may sound innocuous enough, but it gets to the heart of the sickness in education today, our love of the abstract.
Bold schools recognize that learners, including teachers, arrive in bodies, and do not ask them to check those bodies at the proverbial door. In bold places, teachers offer what they know and are learning, not the long list of things they have been told to mimic that most often comes from those who have rarely set foot in a school as an adult.  Much is learned through the close study of the local.  This may well mean walking about--perhaps along a beach with a teacher who knows the tides and clams and ways to read such landscapes.  It is in these situations that teachers remember who they have been and perhaps even why they sought this work.  (Shh. Look, you've known in your bones you have much to give. The failure of the traditional school has been in requiring you to stop being the impossibly human person you are and requiring you to become a talking head.) 

In addition to the local geography a learner might map, there is also a virtual community s/he belongs to that is far more resistant to mapping.  Participation in these virtual spaces may well lead to a redesign of the physical geography as learners come to know and name other places in the world. This naming though is informed by what learners come to know through local matters. Some of these places may become new centers that the learner visits and dwells in. The development of these physical and virtual learning spaces occurs horizontally: translocally. Helping students to determine, enter into, manage, complicate, compose, and grow such spaces of learning is complex and represents a critical teacher role.

Teachers and students co-learn with each other in self-, peer-, family- community-, and teacher-sponsored learning.  These networks are inherently nomadic as learners make, merge, mash, remix, and break connections in multiple ways.  Part of the work a teacher does is to guide learners in the development and articulation of learning plans that remain in many ways emergent. Learners participate in temponormative, pointillist, cyclical, continuous, and overlapping learning engagements. During temponormative learning, a teacher offers and/or arranges explicit instruction in which learning outcomes are less surprising, more predictable and explicit knowledge is made.  In contrast, during the remaining types of learning (pointillist, cyclical, continuous, and overlapping), a teacher engages learners in dialogic discourse that occasions them to pierce beneath the skin of the ordinary, the obvious--to uncover and compose with greater depth.  This type of 'teaching' is associative, not causal and requires a teacher to create conditions where learners have an opportunity to determine pathways to learning, to name explicit knowing, to codify tacit knowledge, and to fold/unfold/refold conceptual space. 

There are many truths. One truth in bold schools is that learners will exit with holes in what they know and they will know deeply that which they have named as critical. 


5. PLNs

Central to a teacher's role is the responsibility to cognitively apprentice learners so that they compose intellectual and social independence. Independence is learned through the development of and participation in personal learning networks (PLN) which are both local and virtual.  Will Richardson and Rob Mancabelli (2011) in Personal Learning Networks: Using the Power of Connections to Transform Education write about PLNs and explain:
With a PLN, we can learn anytime, anywhere, with potentially anyone around the world who shares our passion or interest. We can literally build global, online classrooms of our own making on the web that include networks and communities of learners with whom we interact on a regular basis. We can learn around a particular topic at a particular time, or simply tap into an ongoing stream of knowledge from which we can sip anytime we like. And we can build things together, things that can have a global impact in ways that were impossible only a few years ago (p.2).
They describe how learners within the next ten years will all have personal Internet-enabled devices. I agree with them that this time frame is conservative and imagine that such access will occur sooner. These devices allow learners to connect with others--to form PLNs,  guilds, or collectives across geographic spaces.  How they connect and what they do via these connections of course matters. Will and Rob say: "What really counts is the power to plug into networks for learning under the guidance of a teacher who knows how to do that" (p. 139). What I want to urge here though is that much of the important learning will have local roots.  The many walks taken along that beach with a teacher will likely prepare learners to compose and navigate the unmapped space of a PLN. The teacher here, knows both times as well as the need for learners to get lost in these emerging landscapes.

Doug Thomas and John Seely Brown (2011) in A New Culture of Learning: Cultivating the Imagination for a World of Constant Change  list three principles upon which this culture is based: 
(1) The old ways of learning are unable to keep up with our rapidly changing world. 
(2) New media forms are making peer-to-peer learning easier and more natural. 
(3) Peer-to-peer learning is amplified by emerging technologies that shape the collective nature of participation with those new media. (Kindle Locations 578-583).
Peer-to-peer learning matters at bold schools.  It is privileged and central, not a thing one gets to after the 'real' work has been done.

6. Affinity-Based Spaces as Sites for Learning

Within networks are passionate affinity-based spaces that are learner-determined.  Important literacies are learned through play in such spaces. For example in massively multiplayer online games like Minecraft or World of Warcraft, learners have the ongoing opportunity to participate in complex systems, which in itself is a critical skill.  I have previously written about my son, his play in Minecraft and the learning he is composing with his guild and have come to see how powerful and socially complex the learning among these players can be. (I discuss this here, here, here and here).  James Gee and Elizabeth Hayes (2011) in Language and Learning in the Digital Age tell us:
...affinity spaces are about sharing a common endeavor were people learn things, produce things or knowledge, and can, if they wish, become experts...Even these experts believe there is always something new to learn, more to discover, and higher standards to achieve (p. 71).
What drives this powerful learning is commitment and passion.  For example, in Rob Cohen's 8th grade class, students are composing literary worlds in Minecraft. It was interesting to note one day that a student who had been absent from school was nonetheless present for class via the class's Minecraft site.  He was motivated to participate from home.  In this class, students can be found using the chat feature in their Minecraft site to guide homework they have from other classes. The site is a home of sorts. Thomas and  Brown (2011) explain that "[s]tudents learn best when they are able to follow their passion and operate within the constraints of a bounded environment" (Location 1050).  In Rob's class, student interest in Minecraft signals a passion and the means by which they compose through the software represents a bounded environment--one not always easy to negotiate.

In bold schools, learners' passions and knowledge guide curricular decisions, not state standards.  I think here of Rob's latest tweet in which he asks:


Simply put: it is illogical to think a single list regardless of how clever one might be can encapsulate what is important to know.  Thomas and Brown (2011) aptly remind us: "Making knowledge stable in a changing world is an unwinnable game" (Kindle Locations 522-523).

7. Unknowing

What is knowable?  What is curriculum?

As knowledge is not stable, then how does one determine what represents important community knowledge? In the concluding post about bold schools I discuss learning content by situating content as knowledge a community of learners compose. As community is understood as rhizomatic,  the representation of knowing is varied and complex.  Hope you will take a look.










Wednesday, August 10, 2011

The Role of Teacher in Passion-Based Learning

I have been considering the role of teacher as we explore the idea of personalization and passion-based learning. I understand the value and necessity of passion-based learning and want to suggest that it does not exist as some absolute and certainly is not simply about a learner and his/her interest.  Instead, imagine passion-based learning as dialogue that occurs among learners, teachers, mentors, and community-based others.  Passion-based learning isn't about our interests, but rather about the ideas, curiosities, mysteries, and possibilities that are engendered in juxtaposition with one another. At the center of such engagements are the learner and the teacher.

The definition of teacher is important to name as we wade into less anchored times where the idea of teacher is being challenged as being necessary. Consider for example, Doug Thomas and John Seely Brown (2011) who offer this vision of learning:
In the new culture of learning, people learn through their interaction and participation with one another in fluid relationships that are the result of shared interests and opportunity. In this environment, the participants all stand on equal ground—no one is assigned to the traditional role of teacher or student. Instead, anyone who has particular knowledge of, or experience with, a given subject may take on the role of mentor at any time. Mentors provide a sense of structure to guide learning, which they may do by listening empathically and by reinforcing intrinsic motivation to help the student discover a voice, a calling, or a passion. Once a particular passion or interest is unleashed, constant interaction among group members, with their varying skills and talents, functions as a kind of peer amplifier, providing numerous outlets, resources, and aids to further an individual’s learning (Kindle Location 587-593).
I appreciate the bold ideas Thomas and Brown offer in A New Culture of Learning: Cultivating the Imagination for a World of Constant Change, but think their vision does not capture well the idea of teacher.  I believe that much will be lost if we abandon the role of teacher in lieu of peer to peer learning or community-based mentorship. Now to be clear, I believe both peer-based learning and community mentors are very important correlates to learning and are under used in our current realization of school.

When I think about teacher, I think of Madeline Grumet's (1995) definition. She writes: 
When we say that we are educating someone, we are introducing that person, young or old, to ways of being and acting in the world that are new to his or her experience (p. 17).
To introduce learners to ways of being and acting in a world new to the learner's experience requires the teacher to act as bricoleur: one who cobbles together materials at hand to serve new uses. The teacher as bricoleur (I've written about this here) is the master teacher as s/he is able to anticipate, occasion, deepen, and complicate learning. Teaching well isn't singularly following a learner's passion and supporting it, however worthy such art and craft might be. Teaching well also means leading the learner into ways of being and acting that are foreign to their experience and as such not yet a passion.  Teaching well means occasioning a learner's intellectual frustration and scaffolding such experiences so that learners come to know the power of ambiguity, uncertainty, loss, and joy.

I have been thinking about this for several reasons: I have been taught by such teachers, have worked alongside such teachers, have married such a teacher, and have friends who are such teachers.  I know via these relationships what it means to be in the company of teachers and would not want that denied to learners regardless of how personalized an education we might be able to offer students. There is something to be said for the unimagined, impossible to plan, and random learning that happens in the company of fine teachers.

So what does this all mean?  Teachers matter. Their brilliance, tentativeness, failures, kindness and courage matter.  I want to say, America, we would be fools to abandon such importance.

A point of illustration: Earlier today I was reading Michael Doyle's (@BHS_Doyle) latest post, Natural World. He's a teacher who teaches high school biology in NJ. He writes:
My goal is for kids to know less by June than they knew in September, a whole lot less. Good science can be as tenuous as the wisp of a shrew's breath.

Until they know this, and it's easier to grasp when entropy takes its toll over the years, as knowledge of your inevitable path creeps into cerebral shadows, I fear I am wasting their time.

Until they know this, maybe pushing them outside, a copy of Seamus Heany's Human Chain in one hand, a cheap plastic magnifying glass in the other, is enough science for a period, for a lifetime.

The path outside with poem book and magnifying glass in hand may not and likely will not be a route learners would claim via their passion.  All the better then to make that road. Know this: Alongside finding one's passion(s) as learning method, we also need to embrace the ambiguity of not knowing & walk that road too.  And yes there will and can be lots of guides.

Nonetheless, the guide I'd most want to walk alongside is a teacher.


Works Cited:
Grumet, Madeline. 1995. The curriculum: What are the basics and are we teaching them? In J.L. Kinchoe & S.R. Steinberg. Thirteen questions: Reframing education's conversation. 2nd edition (pp. 15-21). New York: Peter Lang.


Thomas, Douglas (2011). A New Culture of Learning:  Cultivating the Imagination for a World of Constant Change (Kindle Locations 587-593). CreateSpace. Kindle Edition.

Wednesday, April 13, 2011

Guest Blog: Miss C Recounts Teaching at a South Bronx Charter School


Guest Blog: This blog post was written by Miss C a former graduate student of mine who spent a year working as a first grade teacher at a charter school in the South Bronx (NYC). Miss C completed a Masters of Professional Studies in Literacy, a graduate program that ironically privileged the arts and situated the study of "literacies" within a sociocultural framework. The charter world that Miss C describes represents a fundamentally different understanding of teaching, learning, children, and developmentally appropriate practices than what she knew and learned at college.  

I warn you, I cried reading this narrative--not for Miss C, a talented artist and teacher now working in a public school, but for her 22 first graders still at the charter school.


                                                Welcome to Boot Camp
“Miss C, when you were gone, I was so scared, I thought I was in boot camp!” -one of my first graders, after I returned from a meeting.
            This piece serves as a glimpse inside a South Bronx charter school, told from the perspective of a classroom teacher. With the overblown acclaim of charter schools as a means of education “reform” in recent months, I jumped at the chance to tell my story.  I realize that mine is just one story and there are infinite stories and viewpoints held for any given situation;  someone else in my shoes might offer a completely different account. My hope is that my story will spark a conversation, offer new perspectives, and raise a few questions. Teacher's voices can be powerful when they are allowed to be heard.
            Charter schools are public schools, and can be started by and run by anyone. It is not uncommon for them to be operated by people who have no background in education.  They are funded by a mixture of government money, private donations, and grants, and are often situated in areas of high poverty, where applicants are chosen by lottery. Charter schools offer longer school days, smaller class sizes, and "rigorous, standards-based instruction". They also offer a militaristic and strangely corporate environment that emphasizes the importance of order, obedience, and product above all else. Everything has a set protocol and predetermined vision of result, usually dreamt up by administration.  I spent ten months feeling like a chess piece, robot, crusader, warden, inmate, and performer, sometimes all at once. It was a very long year.

Lights, Camera, Action: Battling the Script
“It defies both logic and experience to believe that the learning of all will be enhanced by a curriculum that meets the individual needs of few, if any." --P. David Pearson
            Curriculum, for me, was the single most difficult thing to contend with during my experience. Having worked in a school where instruction was more or less designed by the teachers, I had naively assumed I would be doing the same at my new school.  Instead, I was horrified to discover that my entire day was scripted. Reading, writing, math, science, and social studies all had their own stacks of teaching manuals and supplies, dictating every utterance and activity for teachers and students. I distinctly remember a line from a four page script in one of the math lessons wherein the teacher was supposed to rap multiples of 10 to the students. “After each verse, say 'unh' two or three times in rhythm,” it directed.  Three large plastic tubs held hundreds of worksheets and assessments to be distributed to the masses. The worst was the reading program, which aside from scripted manuals was also accompanied by sets of basal readers and phonics workbooks, forcing students to engage in choral readings of monosyllabic stories about Fat Cat and Zig Pig. The level of boredom and disinterest during instructional time was palpable.  Teachers had to email weekly lesson plans to supervisors no later than 8pm on Sunday nights, filled out in complex electronic templates that detailed everything from what questions we planned to ask during a read aloud, to what page number of the manual we were on. I asked my supervisor why everything was scripted, and she informed me that this was a way to ensure teaching consistency across each grade level. In the past, she explained, some students had been getting quality instruction, while others were getting less quality instruction; scripts were a way to eradicate that inequality and make sure that everyone received the same thing. Mediocrity, evidently, was acceptable, as long as it was uniform. 
            The idea of uniform teaching baffled and infuriated me for a number of reasons. It reduced teaching to regurgitating lines off a page, and learning to nothing more than acquiring information and regurgitating it right back. Use of scripts insinuated that we were incapable of designing instruction on our own and that manuals created by faceless executives were appropriate for all of our students. I bitterly resisted, sneaking in differentiated instruction, supplementing whenever possible. It was an exhausting challenge. Teachers were required to have the same objectives, lessons, and activities as their grade level colleagues at all times, regardless of what our students might need, and discrepancies were always questioned by administrators.  Furthermore, we were informed that we should not design any assignments or response sheets ourselves, since it was all provided and prepackaged for us in the curriculum. Anything we did design was supposed to be approved by our supervisor prior to using it.
            In addition to consistency, scripts offered a degree of control and micromanagement for administrators which consumed every facet of life in the school. Teachers (and students) were exempt from making virtually any decision themselves.  This included (but was not limited to) what to teach, when to teach it, how to teach it, how to line our students up, how to have them walk in hallway, when to take our classes to the bathroom, how much homework to give, what homework to give, how to handle classroom management, what to put on our bulletin boards, how to arrange our furniture, when to read a book to our students, how to distribute crayons and pencils, and a myriad of other things.  I found it ironic, not to mention insulting, that the same administrators who preached about the virtues of teaching and our high level of "professionalism" seemed to regard us as bumbling idiots incapable of doing anything short of walking upright without a set of detailed instructions.

Kiss My ASSessments: Tales of Testing
“When we define what matters in education only by what we can measure, we are in serious trouble.”-Diane Ravitch
             When a charter school is "born" so to speak, it is aligned to an actual charter stating that the school will meet certain goals (i.e., test scores) within a specific time period (usually five years). If the goals are not met within the five years, the charter could potentially be revoked and the school could be shut down. With such heavy pressure to obtain high test scores, "rigorous" curriculum takes on whole new meaning.  In addition to hours of scripted instruction, most of which was test-based, the students were also subjected to relentless test prep delivered from thick, scripted manuals. Upper school (grades 3-5) designated Fridays as test prep days, since the kids left at 2pm rather than 4pm. On Fridays, they literally spent the entire day doing nothing but test prep. The younger grades were spared, at least until May, when my first graders were forced to endure test prep for the Terra Nova exam, a torturous experience for all of us. Even the kindergarteners took the Terra Nova, a test which required children to sit for an hour and a half session on two separate days and bubble in answers on a recording sheet.  I didn't know whether to laugh or cry at the absurdity of it, although I did chuckle when one kindergarten teacher told me how her students blurted every answer out loud after she read them the questions. Test scores determined merit pay, and "testing season" was regarded as the most important time of the year.
            Along with endless test prep for NYS exams, assessment and the quest for data were drilled into our curriculum and practices. Never in my life had I such a dizzying array of assessments, especially in the primary grades. Our math curriculum came with weekly tests that I had to grade using actual percentages scrawled on top, which felt bizarre and cruel to hand back to a six year old (not to mention a stark contrast to my usual star or smiley face). We were instructed to keep data on everything, and make sure anything we put in a portfolio, or hung up on a bulletin board was aligned to a rubric and graded. Our heavily scrutinized bulletin boards--which I secretly referred to as bulletin boreds--were depressing exhibitions of uniform student work that was graded and accompanied by lists of NYS standards and rubrics so observers could see what the “purpose” of the assignment was and how/why students received whatever grade they got. Giving grades was bad enough: putting them on display in the hallway was even worse. Low grades were not permitted to be displayed, so some students never had work shown. Bulletin boards were no place for whimsical artwork adorned with painted handprints, glitter, or anything fun. Nothing “counted” unless it had a grade and was approved by administration.
            Data and grades played a more sinister role when it came to determining who was "PiD" (Promotion in Doubt).  Children who were in danger of being retained had to be identified by early November--a mere two months into the school year—when PiD forms were handed into administration, then sent home to parents. Each year, out of roughly 66 children per grade level, between five and seven were held back, totaling about 36 kids on average K-5. In my own class, I had four students who were repeating first grade. Criteria for retention was based on failure to meet certain benchmarks, and often seen as a necessary step. Before an end of the year awards ceremony, my supervisor cautioned us to make sure we told our students that "just because they get an award of participation does NOT mean they are being promoted to the next grade."

                             Phases of the School Year: Another One Bites the Dust
“I used to work for a large telecommunications business. I wanted to teach because I was looking for something easier to do.” --a brand new fourth grade teacher at my school. He lasted nine days of work before submitting his resignation.
             During our August orientation, staff members were given a “Phases of the School Year” graph that mapped out our predicted feelings and attitudes over the course of the upcoming school year. According to this graph, we would start off in “Anticipation” mode, but would quickly slip into “Survival” mode, struggling to "keep our heads above water". Survival was followed by the lowest point on the graph, “Disillusionment”, that was projected to hit us around the October/November mark. After this, it was a steady uphill climb toward “Rejuvenation” (Feb/March), “Reflection” (May) and then back to “Anticipation” once again (June, July).  I remember thinking how odd it was to be told how miserable and desperate we were going to be feeling in a matter of months. Looking back, I am not entirely convinced over the accuracy of the graph’s information. Personally, I never felt Rejuvenated, and I witnessed more than one teacher who seemed permanently stuck in “Disillusionment”, on the brink of “Severe Mental Breakdown”. Staff morale was perpetually low.
            When I worked in the suburbs, teaching jobs were scarce and highly coveted. Teachers got jobs in schools or districts and built life-long careers there. Unlike most public schools, charter schools do not offer contracts, tenure, or a union. Teachers sign “letters of intent”, stating that they intend to work in a position for the school year, that they can be fired at any time with or without cause, and that they are free to leave at any time. Staff changes are frequent. At my school, since teachers were more or less viewed as factory drones, replacing them was swift and emotionless--when people quit, it was often not even mentioned at the weekly faculty meeting. A face was absent, a new face was in place, and life continued. During that one year, seven teachers quit between September and May, one was fired, and five more (myself included) resigned in June.  Quitting was often the result of utter exhaustion and depression; the demands and the micromanagement were often more than teachers could bear. I considered leaving every day up until June 25th, wavering back and forth on a near hourly basis and hanging on only by desperate determination to see the year through and a begrudging sense of obligation toward my students. Those who left earlier forfeited two months worth of salary they would have been paid if they’d given 30 days notice (we were paid over 12 months). Out of those seven teachers, only two had new jobs lined up. The other five opted for unemployment.
            The record for fastest resignation went to a fifth grade teacher, who quit during orientation, a week before the kids were due to arrive.  According to our graph, she never even made it to Survival mode.  She was soon followed by a fourth grade teacher two weeks later; his class eventually would lose another teacher in February.  On the other end of the spectrum was a third grade teacher who quit in May (Reflection month!), with six weeks of school left. At that point, her position was not replaced, but rather covered by a rotating shift of various learning specialists and office aides who performed like a succession of understudies, picking up where she'd left off in the script. 

                                  Kiss My Summative Assessment: Evaluation Tales
“A child sighs loudly on the rug. 2 minutes later it happens again. You do nothing to address this.” --excerpt from one of my 12 documented observations
            Over the course of the year, all lessons plans, activities and practices were aligned to the school’s evaluation tool; a six page rubric that broke teaching into 23 areas. Each area had four distinct ratings; Unsatisfactory, Basic, Proficient, and Distinguished.  Starting in April, teachers were required to hand in “Summative Assessments”; documents totaling anywhere from 20 to 40 pages that described our teaching performance in alignment to the rubric.  Supervisors reviewed them and gave us our "grades". Throughout the previous months, we’d been forced to perform skits and act out examples of these ratings and components at faculty meetings, so it was abundantly clear how one might achieve the exalted title of “Distinguished” and avoid "Unsatisfactory". We were also given a total of 12 recorded observations by supervisors (in addition to about 40 unrecorded observations), where we received feedback such as letting us know that our students were breathing excessively.  I was given an unsatisfactory in one category because my classroom cubbies were a mess. As a result, I lost a chunk of my bonus, as performance, along with test scores, were aligned to merit pay. I half expected to be forced to wear a scarlet letter U plastered to my shirt; thankfully it didn't quite come to that.
                                                            Reflection
"Ugly stuff, /ugly, ugly stuff./I hate/ school./School is/ boring. I hate/school. boo!" --a poem written by one of my first graders
It is nearly impossible to concisely express what an exhausting, frustrating, and mind-boggling year it was. Much of what I saw and was encouraged (or forced) to do directly contradicted every principle or philosophy I believe in as a teacher. To be fair, there were positive things mixed in with the crazy. The school itself was clean, safe, and decently equipped, with large, sunlit classrooms and brightly painted walls. The children received regular art, music, and gym, as well as daily breakfast and lunch. Most of the teachers I met were genuinely warm, caring, funny individuals who were very invested in their students.  Their level of dedication and energy was amazing. In addition to extreme demands at school, most of the staff battled commutes of an hour or more, long subway rides or miserable gridlocked traffic, but were nonetheless at school by 7:30am every day, ready to give it everything they had.
            My story here hardly touches upon the 22 students I spent eight hours a day with. I think of them often, wondering if they are happy or miserable, if they are making progress, if they are behaving (hmm, that would be something new), how they are reading, what they are writing, if they miss first grade, if they miss ME. It would be an understatement to say we had a rocky year, but I am convinced it would have been less rocky if they had been allowed to be children rather than stuffed into little invisible straight-jackets all day long, from which outbursts and tantrums were frequent. My first graders in the public school I’m at now have play center time and lots of choice; our curriculum isn’t scripted, the children are allowed to talk, sing, breathe, and be themselves. It’s truly a different world, one that my former students will most likely never know.
            I wonder about the high test scores my previous school boasts, and if they are an indication of real learning, or the result of endless hours of relentless test-prep that has taught students how to choose the correct answer at the expense of actually learning anything valuable. I wonder what a “Phases of the School Year” graph might look like for students at this school, and similar schools. Are they Disillusioned? Rejuvenated? Or stuck in Survival Mode, going through the motions and barely scraping through each day, while buried under mounds of tedious scripted assignments and looming PiD forms?
            I wonder about the brand-new teachers who find themselves in schools like this, or the student teachers, without any previous experience to give them an alternate view of what education can look like. There were several student teachers at the charter school, and I shudder to think of the warped ideas they left with regarding teaching and learning.
            It is thoroughly frightening and depressing to see what is occurring in education these days.  The gaping chasm between the have and the have-nots seems to widen with each year, while the "remedies"--scripted instruction, charter schools, value-added assessment, and increased standardized testing, to name a few--manage to pointedly avoid dealing with the root of the issue while imposing the most miserable conditions upon innocent children and hard-working teachers. I hope that the pendulum will eventually swing and that the opportunity for individual thought, authentic instruction, creativity, play, and shared teaching and learning will eventually be available to everyone. I've seen schools like this; they do exist. As Kozol writes, “The schools where children and their teachers are still...given the opportunities to poke around in the satisfactions of uncertainly need to be defended...These are the schools I call the 'treasured places'. The remind us always of the possible."


Work Cited
Kozol, J. (2005). The shame of the nation: The restoration of apartheid schooling in America. New York: Crown Publishing Group

Pearson, P.D. (2007). An Endangered Species Act for Literacy Education. Journal of Literacy Research, 39, 145-162.

Ravitch, D. (2010) The death and life of the great American school system: How testing and choice are undermining education. New York: Basic Books.