Showing posts with label Benjamin Alire Sáenz. Show all posts
Showing posts with label Benjamin Alire Sáenz. Show all posts

Saturday, July 19, 2014

Confessions: My Father, Hummingbirds, and Frantz Fanon

Looking Towards the East (M.A Reilly, 2010)


Confessions: My Father, Hummingbirds, and Frantz Fanon

                             - Benjamin Alire Sáenz

Every effort is made to bring the colonised person to admit
the inferiority of his culture...
—Frantz Fanon

                                    And there are days when storms hover
Over my house, their brooding just this side of rage, 
An open hand about to slap a face. You won’t believe me 

When I tell you it is not personal. It isn’t. It only feels 
That way because the face is yours. So what if it is the only 
Face you’ve got? Listen, a storm will grab the first thing 
In its path, a Persian cat, a sixth grade boy on his way home 
From school, an old woman watering her roses, a black 
Man running down a street (late to a dinner with his wife), 
A white guy buying cigarettes at the corner store. A storm 
Will grab a young woman trying to escape her boyfriend, 
A garbage can, a Mexican busboy with no papers, you
We are all collateral damage for someone’s beautiful 
Ideology, all of us inanimate in the face of the onslaught. 
My father had the biggest hands I’ve ever seen. He never 
Wore a wedding ring. Somehow, it would have looked lost, 
Misplaced on his thick worker’s hands that were, to me, 
As large as Africa. There have been a good many storms 
In Africa over the centuries. One was called colonialism 
(Though I confess to loving Tarzan as a boy). 

                                                    In my thirties, 
I read a book by Frantz Fanon. I fell in love 
With the storms in his book even though they broke 
My heart and made me want to scream. What good 
Is screaming? Even a bad actress in a horror flick 
Can do that. In my twenties, I had fallen in love 
With the storms in the essays of James Baldwin. 
They were like perfect poems. His friends called 
Him Jimmy. People didn’t think he was beautiful. 
Oh God, but he was. He could make a hand that was 
Slapping you into something that was loving, loving you. 
He could make rage sound elegant. Have you ever 
Read “Stranger in the Village?” How would you like 
To feel like a fucking storm every time someone looked 
At you

                                                                    One time I was 
At a party. Some guy asked me: What are you, anyway? 
I downed my beer. Mexican I said. Really he said, Do 
You play soccer? No I said but I drink Tequila. He smiled 
At me, That’s cool. I smiled back So what are you? 
What do you think I am he said. An asshole I said. People 
Hate you when you’re right. Especially if you’re Mexican. 
And every time I leave town, I pray that people will stop 
Repeating You’re from El Paso with that same tone 
Of voice they use when they see a rat running across 
Their living rooms, interrupting their second glass 
Of scotch. My father’s dead (though sometimes I wake 
And swear he has never been more alive—especially when 
I see him staring back at me as I shave in the morning). 
Even though I understand something about hating a man 
I have never really understood the logic of slavery. 
What do I know? I don’t particularly like the idea of cheap 
Labor. I don’t like guns. And I don’t even believe 
White men are superior. Do you? I wanted to be 
St. Francis. I took this ambition very seriously. Instead 
I wound up becoming a middle-aged man who dreams 
Storms where all the animals wind up dead. It scares 
Me to think I have this dream inside me. Still, 
I love dogs—even mean ones. I could forgive 
A dog that bit me. But if a man bit me, that would be 
Another story. I have made my peace with cats. 
I am especially in love with hummingbirds (though 
They’re as mean as roosters in a cock fight). Have 
You ever seen the storms in the eyes of men who 
Were betting on a cock fight? 

                                               Last night, there was hail, thunder, 
A tornado touching down in the desert—though I was 
Away and was not a first hand witness. I was in another 
Place, listening to the waves of the ocean crash against 
The shore. Sometimes I think the sea is angry. Who 
Can blame it? There are a million things to be angry 
About. Have you noticed that some people don’t give 
A damn and just keep on shopping? Doesn’t that make you 
Angry? A storm is like God. You don’t have to see it 
To believe—sometimes you just have to place 
Your faith in it. When my father walked into a room 
It felt like that. Like the crashing waves. You know, 
Like a storm. This is the truth of the matter: I am 
The son of a storm. Look, every one has to be the son 
Of something. The thing to do when you are caught 
In the middle of a storm is to abandon your car, 
Keep quiet. Pray. Wait. Tell that to the men  
Who were sleeping on the Arizona when 
The Japanese dropped their bombs. War is the worst 
Kind of storm. The truth is I have never met a breathing 
Human being who did not have at least one scar 
On his body. Bombs and bullets do more than leave 
A permanent mark on the skin. I have never liked 
The expression They were out for blood

                                                   There are days 
When there are so many storms hovering around 
My house that I cannot even see the blue in the sky. 
My father loved the sky. He was trying to memorize 
The clouds before he died. I confess to being 
Jealous of the sky. 

                                                  On Sunday mornings 
I picture Frantz Fanon as an old man. He is looking up 
At the pure African sky. He is trying to imagine how it appeared 
Before the white men came. I don’t want to dream all the dead 
Animals we have made extinct. I want to dream a sky 
Full of hummingbirds. I would like to die in such a storm.



from The Book of What Remains. (2010). pp. 6-9.

Saturday, July 12, 2014

Recommended Books by Benjamin Alire Sáenz: A Writer & Artist to Know

Benjamin Alire Sáenz

I have long loved children, YA, and adult works by Benjamin Alire Sáenz--a former Catholic priest, poet, novelist, children's author, professor and painter.  His writing is evocative, tender, gritty, and fierce. Poet, short story writer, and novelist. I am so pleased to see his work being honored. Richly deserved. These are a few favorites. 

Picture Books
Sáenz, Benjamin Alire. (2012). The Dog Who Loved Tortillas: La perrita que le encantaban las tortillas. Illustrated by Geronimo Garcia.  El Paso, TX: Cinco Puntos Press.
Sáenz, Benjamin Alire. (2010). A Perfect Season for Dreaming / Un tiempo perfecto para sonar. Illustrated by Esau Andrade Valencia.  El Paso, TX: Cinco Puntos Press. 2008 Paterson Book Prize, Bank Street’s Best Children’s Books of the Year, and  2009
Américas Book Award Honor Book.
Sáenz, Benjamin Alire. (1999). Grandma Fina’s Wonderful Umbrella. Illustrated by Geronimo Garcia.  El Paso, TX: Cinco Puntos Press. TX: Cinco Puntos Press. 1999 Best Children’s Book, Texas Institute of Letters
Sáenz, Benjamin Alire. (1998). A Gift from Papá Diego / Un regalo de papá Diego. Illustrated by Geronimo Garcia.  El Paso, TX: Cinco Puntos Press.

Middle School & Early High School (7th -9h Grade)
Sáenz, Benjamin Alire. (2012). Aristotle and Dante Discover the Secrets of the Universe. New York: Simon & Schuster Books for Young Readers. (Novel, friendship, coming of age)
Americas Award for Children's and Young Adult Literature. Commended
Sáenz, Benjamin Alire. (2009). Last Night I Sang to the Monster. El Paso, TX: Cinco Puntos Press. (YA Novel)




Sáenz, Benjamin Alire. (2008). He Forgot to Say Goodbye. New York: Simon & Schuster Books for Young Readers. (Novel, manhood, fathers and sons). Tomas Rivera Award in 2009.

YA & Adult (10th grade +)
Sáenz, Benjamin Alire. (2012). Everything Begins and Ends at the Kentucky Club. El Paso, TX: Cinco Puntos Press.  Winner of the 2013 PEN/Faulkner Award for Fiction  and  Winner of the 2013 Lambda Literary Award (Short story collection)




Sáenz, Benjamin Alire. (2008). In Perfect Light. New York: HarperCollins. (Novel, adult)
Sáenz, Benjamin Alire. (2008). Names on a Map. New York: Harper Perennial. (YA Novel, set in 1967 - Vietnam War, Borderlands, women's movement)
Sáenz, Benjamin Alire. (1998). The House of Forgetting. Ivy Books. (Novel, adult)
Sáenz, Benjamin Alire. (2004). Sammy And Julianna in HollywoodEl Paso, TX: Cinco Puntos Press. (YA Novel, coming of age) Named Top Ten Young Adult novels by the American Library Association.
Sáenz, Benjamin Alire. (1995).  Carry Me Like Water.  New York: HarperCollins. (Magic-realism, Novel, 1st novel) Awarded Southwest Book Award.

Poetry
Sáenz, Benjamin Alire.  (2010). The Book of What Remains. Port Townsend, WA: Copper Canyon Press.




Sáenz, Benjamin Alire. (2006). Dreaming the End of War. Port Townsend, WA: Copper Canyon Press. Here is a blog post I wrote that includes part of the twelfth dream from this book.
Sáenz, Benjamin Alire. (2002). Elegies in Blue: A Book of Poems.  El Paso, TX: Cinco Puntos Press.




Sáenz, Benjamin Alire. (1996). Dark and Perfect Angels. El Paso, TX: Cinco Puntos Press.
Sáenz, Benjamin Alire. (1991).  Calendar of Dust. Broken Moon Press. Winner of the American Book Award in 1991.




Sunday, October 7, 2012

Dreaming: The Space Poetry Opens

I was moving some books and came across a copy of the poetry text, Dreaming the End of War by Benjamin Alire Sáenz that I had tucked away after reading it some years ago.  I found myself rereading it and wanting to share a portion of it with you. In this work Sáenz creates twelve dreams that explore the borderlands between Mexico and the United States, father and son, man and country--as well as the violence and hope that accompanies such closeness and distances among people and places.  Matters of immigration are important to me for political and personal reasons. My son, my brothers and I are US immigrants (although we joke that my husband, hailing from Brooklyn, might be an immigrant too) and as such, I feel an affinity with all who come here to live and especially those who die trying. 

We must find better ways to welcome others.  

I had hoped to hear about immigration during the last presidential debate and found the absence to be unsettling.  Perhaps President Obama and Mitt Romney might make room in the weeks leading up to the election to read Dreaming the End of War. It  is an important work--one that conveys the complexities, both personal and societal, of human cruelties and kindnesses. 

Here is a sample from the last dream.  


(from "The Twelfth and Final Dream : A Dream of The Day"  by Benjamin Alire Sáenz)


The Start to Fall (M.A. Reilly, 2012)


                                            ...Summers, I write.
There are poems in my head, stories,
novels, essays,

                    screenplays where protagonists
are as ordinary as the writer. Words clutter
and complicate. They stick in my throat
until I must find a way to clear a path
for air.

                         There are moments

when I wander from the writing.

There are things that writing cannot hold.

I stare out and see only
what is in my head. I dream of things
in the day.

                                            In the day. I dream
that nothing
in my house needs fixing. I dream
the labor it will take to build
a wall--
                   then to tear it down.

                                                              I dream
my mother has no worries. She has worked
and suffered enough,
                         worked and suffered enough
and it is time for her to rest. And though
I know my father's death cannot be dreamed
away, or my mother's memory, or her pain.
or her bills or her crooked bones--
                                         this knowing does not stop

me from my dream.

                                         I dream my mother's young
again. I dream her aging body has no aches.
                         I dream my sisters and my brothers
have no debts, and dream
                                          they have
the time to spend on who and what
they love. I dream abundance
in their lives.
                    I dream Eden and a garden
in their hearts.

                                             I dream. The day.
I dream the poor who come from other lands
will not be sent away. I dream the federal judge
will find an atlas of the world, stand
in awe of their journey--and wave
them safely in. I dream the day.
I dream that all who left my city
will come back. Exiles returning
to build again what has been
left unbuilt.
    
                    I dream. The day. I dream that all
the wars are done I dream the earth, having lost
all patience, rises up in its own revolution,
erasing all the lines we have carved
on her back. I dream there are no more
nations. This is what I dream--that
nations do not matter...



from:
Sáenz, Benjamin Alire. (2006). Dreaming the End of War.  Port Townsend, WA: Copper Canyon Press.